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Showing posts with label British mystery. Show all posts
Showing posts with label British mystery. Show all posts

Monday, July 10, 2023

AUTHOR SUE COOK ON BRITISH PIE, MURDER, AND THE RHUBARB TRIANGLE

I like to think readers learn something new from every post on Killer Crafts & Crafty Killers. Most of us in the US have heard of the Bermuda Triangle. Today we have a visitor from across the pond who will explain the Rhubarb Triangle. If you’ve never heard of it, you’re not alone!

 

Sue Cook lives in a damp and windy corner of northwest England with her husband and five ducks. She writes both short and long stories and novels which mostly include contemporary or historical romance sprinkled with crime, intrigue, or suspense. Learn more about her and her various publications at her website.

 

Hello from not so sunny northwest England. I hope the weather is kinder to you than it is to us Brits right now. Outside it’s dreich, as the Scots would say, i.e., dull and damp as you might expect in a cold, rainy island off the coast of Europe!

 

Which introduces what I’d like to talk about today – things typically British. My cozy mystery Murder at the Bakery started as a writing exercise to describe a workplace. The job that made the strongest impression was my first ever summer holiday post. I packed pies at a pie factory, with an enormous conveyor belt bringing the finished product down from what seemed like the sky. It was, of course, merely bringing them from the top of vast steel ovens.

 

Oh, those ovens. The gleaming steel walls went from one side of the factory to the other and literally right up to the towering roof. Pies entered at the bottom, cooked as they rotated up, then cooled in the upper part. Occasionally something would go wrong, the conveyor belt would speed up, and hot pies would rain down on us. Then there was panic, I can tell you. Even packing them away four to each hand had no impact on the deluge.

 

Then there were the mincing tanks, great steel vats bigger than a hot tub, with great steel blades that we tipped the meat into. They were definitely big enough to handle a dead body…

 

Ok, so now you’re confused. The thing is, these are British pies – savoury, main-course items – not sweet desserts like cherry or pumpkin pie. Short or puff (never sweet) pastry filled with meat and veg or something vegetarian, such as cheese and onion (my personal favourite).

 

That’s culture problem number one. Then there’s where I set my book. Hands up those who’ve heard of The Rhubarb Triangle? No, I’m not kidding. A small area of West Yorkshire is renowned for growing early season rhubarb that’s forced in darkened sheds. The Rhubarb Triangle once produced over 90% of all the world’s ‘winter’ rhubarb. The pie thefts and murders in Murder at the Bakery take place in a fictional town near there.

 

Although the pie factory I worked at was in South Wales, where I grew up, the book is set where I now live, on the fringes of West Yorkshire. It’s a place I know well, and frankly, it’s beautiful. 

 

If you’ve watched Richard Gere’s film Yanks, you’ll have seen our local pub and the village square, because the movie was filmed locally. All those terraced cottages with soot-blackened stone and long rows of windows? That’s typical West Yorkshire. Those rolling green hills and bleak moors? Yes, that’s from round ‘ere, too. Why would I set my book anywhere else?

 

So, with all that going on, and so much to explain, I decided to leave Murder at the Bakery exactly as it was – a thoroughly British murder mystery with English pies.

 

Murder at the Bakery

A Cozy Murder Mystery in Yorkshire


Someone is stealing pies from Wright Good Pies, and if the bakery fails, the town of Pickford, West Yorkshire, is in trouble. Georgia Griffiths, Pickford’s newest PI (well, part-time office assistant, actually) is on the case and soon finds herself embroiled in a series of murders, too. Mike, the world’s grumpiest boss, is disinterested. When the bad guys home in on Georgia and plan on making her the next victim, will he finally come good?

 

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Thursday, June 4, 2015

BOOK CLUB FRIDAY--GUEST AUTHOR LESLEY COOKMAN

UK mystery author Lesley Cookman, who also goes by Rosina Lesley, started writing almost as soon as she could read. careers as a model, air stewardess and disc jockey, she turned to writing, teaching writing, and editing. Murder in the Blood is her fifteenth Libby Sarjeant Murder Mystery. Learn more about Lesley and her books at her website.  

When did you realize you wanted to write novels?
When I was about 6! I just wrote stories and made them into “books.”

How long did it take you to realize your dream of publication?
I became a journalist and feature writer over thirty years ago, and subsequently wrote for the stage and short stories for magazines, before turning to novels.

Are you traditionally published, indie published, or a hybrid author?
Traditionally

Where do you write?
In my office at home and in my bedroom in Turkey on holiday.

Is silence golden, or do you need music to write by? What kind?
Music – classical mostly, but there’s an eclectic mix in my iTunes library.

How much of your plots and characters are drawn from real life? From your life in particular?
I’ve used my background in theatre and my involvement in Community Theatre, but that’s about all. I don’t base characters on real people (except in one case, which was a prize in a competition) and I don’t use real places, as I don’t want to upset anybody!

Describe your process for naming your character?
Usually just pops into my head if it’s a main character. If not, I gaze round the room until something leaps out at me. If the worst comes to the worst, I have a book of “Baby Names” on the shelf beside me.

Real settings or fictional towns?
Fictional – see above.

What’s the quirkiest quirk one of your characters has?
Fran Wolfe has occasional psychic flashes, or “moments.”

What’s your quirkiest quirk?
Um – I don’t think I have one.

If you could have written any book (one that someone else has already written,) which one would it be? Why?
Any one of Nagaio Marsh’s or P G Wodehouse’s.

What’s your biggest pet peeve?
Don’t get me started...

You’re stranded on a deserted island. What are your three must-haves?
Three books, please.

What was the worst job you’ve ever held?
Delivering papers when I was a kid.

What’s the best book you’ve ever read?
There are too many to mention.

Ocean or mountains?
Ocean. I live by the sea in England.

City girl/guy or country girl/guy?
Country.

What’s on the horizon for you?
The next two books in the Libby Sarjeant series!

Anything else you’d like to tell us about yourself and/or your books?
My website has links to my Facebook page, my Twitter account and my blog.

Murder in the Blood
Libby Sarjeant and friends are taking a well-earned holiday at a village on the Turkish coast - but despite their best intentions it seems that murder has even followed them there. When out on a boat trip they discover a body, but at first it has nothing to do with them, for once ...until they find out that the deceased was English - and so are the suspects.

Monday, June 1, 2015

#COOKING WITH CLORIS--AUTHOR CAROLA DUNN'S YORKSHIRE PUDDING #RECIPE

photo courtesy of kitchensavvy
Carola Dunn was born and grew up in England. Most of her books are set there, though she’s lived in the US for several decades. She is the author of twenty-two Daisy Dalrymple mysteries, three Cornish mysteries, and thirty-two Regencies. Learn more about Carola and her books at her website. 

In my new book, Superfluous Women, the 22nd Daisy Dalrymple mystery set in England in the 1920s, Daisy and her husband Alec, a Scotland Yard detective, are invited to Sunday lunch with friends who have recently moved to a new house. The previous resident was said to have a notable wine cellar, but it's locked and the key has disappeared. Hoping to find a nice vintage overlooked in a corner, Alec picks the lock and discovers a long dead and very pongy body. Everyone has to leave the house in a hurry.

"I suppose no one's going to feel like sitting down to roast beef," Isabel said regretfully. "Oh well, it can be eaten cold, and the gravy will reheat. I can rescue the potatoes, too, and the carrots, but the Yorkshire pudding'll be a dead loss."

In the hope that you won't be finding a body shortly before eating, here is the story on Yorkshire Pudding:

Traditionally, Yorkshire pudding is an accompaniment to roast beef, though the first known published recipe (1737) pairs it with roast leg of lamb. The meat was cooked on a spit over an open fire. The batter pudding was cooked in a pan placed below the meat, in the hottest part of the fire, so that it absorbed drippings from the meat. The best Yorkshire pudding is still made with beef drippings.

In poorer households, where a joint of meat was a rare treat, the pudding was eaten first, with gravy. By the time the meat was served, the edge was taken off appetites and they were satisfied with a smaller portion. These days, it's usually served along with the meat, often for Sunday lunch.

My mother made the best Yorkshire pudding I've ever had. The recipe she gave me is headed Pancakes (in Britspeak pancakes are crêpes) or Yorkshire. The same batter can be used for either. The ingredients are few. The art is all in the cooking.

Ingredients:
1 cup all-purpose flour
pinch of salt
1 large egg or 2 medium (1 egg works fine for crêpes; most recipes call for 2 for Yorkshire.)
1/2 pint (imperial=10 fl. oz.) milk

Add salt to flour in a mixing bowl. Beat the egg slightly and stir into flour. Add the milk gradually, beating with a wooden spoon. When thoroughly blended, allow to sit for an hour or more (preferably not refrigerated as cold batter doesn't rise properly).

When you take your roast from the oven for its "resting" period, turn up the heat to 450. Pour about 3 tablespoons of the drippings into a 9” x 12” pan (or use the roast pan if the right size and pour off most of the drippings.) You can lightly oil or butter the pan if preferred, though you won't get the best flavor. Put the pan in the oven and leave to heat to 450.

Stir the batter gently a couple of times. Pour into sizzling-hot pan and return to oven quickly. Cook for 20 minutes to 1/2 hour. DO NOT open the oven door to peek or the pudding will deflate (Ovens differ so it's hard to be precise but you can always trim off a burned edge.)

Cut into squares and serve sizzling hot with meat and plenty of gravy.

And please invite me to dinner.

Superfluous Women
In England in the late 1920s, The Honourable Daisy Dalrymple Fletcher, on a convalescent trip to the countryside, goes to visit three old school friends in the area. The three, all unmarried, have recently bought a house together. They are a part of the generation of "superfluous women"--brought up expecting marriage and a family, but left without any prospects after more than 700,000 British men were killed in the Great War.

Daisy and her husband Alec--Detective Chief Inspector Alec Fletcher, of Scotland Yard--go for a Sunday lunch with Daisy's friends, where one of the women mentions a wine cellar below their house, which remains curiously locked, no key to be found. Alec offers to pick the lock, but when he opens the door, what greets them is not a cache of wine, but the stench of a long-dead body.

And with that, what was a pleasant Sunday lunch has taken an unexpected turn. Now Daisy's three friends are the most obvious suspects in a murder and her husband Alec is a witness, so he can't officially take over the investigation. So before the local detective, Superintendent Underwood, can officially bring charges against her friends, Daisy is determined to use all her resources (Alec) and skills to solve the mystery behind this perplexing locked-room crime.

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