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Showing posts with label Nancy Haddock. Show all posts
Showing posts with label Nancy Haddock. Show all posts

Sunday, September 11, 2016

#CRAFTING WITH ANASTASIA--GUEST AUTHOR NANCY HADDOCK AND #GOURD CRAFTS

Painted Gourds
Nancy Haddock is the award-winning and national bestselling author of the Silver Six Crafting Mysteries. She draws on historic wealth, southern culture, and the plain old quirkiness of places and people for her books. Learn more about her and her books at her website. 

Learning New Skills

Last time Anastasia and Lois so kindly hosted me, I talked about my family’s tradition of crafting. From knitting to crocheting to sewing, from tole painting to batik to refinishing and upholstering trunks, my mother, aunts, and grandmothers expressed their artistic natures. I said then, and I still believe, that if there’s a gene for crafting, I got it.

We have an army of local talent in St. Augustine, Florida, and I love to see what artists are offering at our local farmer’s market events. At one, I met a gentleman whose business name is Chairman of the Gourd. Don’t you love that? He primarily crafts gourd birdhouses and carves walking sticks, and he was wonderful to spend time visiting with me about his work. I subsequently attended one of St. Augustine’s juried art fairs and got a whole new education about gourd art! That was the final punch of inspiration for the featured craft in Paint the Town Dead.
Gourd Cat Bed
As I delved into researching the subject, I met several artists who call gourds “Nature’s Sculptures.” When I saw the array of what craftspeople do with gourds, I understood why they’re so versatile. Painted, etched, burned. Used as vases, pencil holders, wall decorations. I saw one huge gourd that the artist had turned into a cat bed!

The more I saw, the more I wanted to try my hand at gourd art. Now gourds are available to buy online, but I needed to start small. The Chairman of the Gourd had “mini” gourds for sale, so I bought six of them. I lost track of them for a while, but the gourds are now safely in a bin. Unless the fairies move them, I’ll be ready to pull those puppies out in the fall, clean them, and let them tell me what they want to be. I’m most likely to simply paint them, but I have a rotary tool that does all kinds of things. I want to learn to use it, though I will experiment on a flat surface first. My gourds are small enough to be Christmas tree ornaments, but I just may paint them tropical colors and mount them on a large wreath.

This is one of the bonuses of writing the Silver Six Crafting Mysteries—the researching and sometimes the experimenting. In Paint the Town Dead, Nixy and the Silver Six are opening the Handcraft Emporium, so I got to research all kinds of painting projects and vicariously craft to my heart’s content.

Still, I’m itching to get my hot little hands on those gourds. I’ll let you know how they turn out!

Paint the Town Dead
Leslee Stanton Nix—aka “Nixy”—thought moving to small-town Lilyvale, Arkansas, would be about as thrilling as watching paint dry. But keeping up with her retired Aunt Sherry and her housemates—collectively known as the Silver Six—has proven to be as exciting as it is exasperating.

To kick off the grand opening of their craft shop, the Handcraft Emporium, Nixy and the Silver Six invite Doralee Gordon to teach a gourd painting class. Nixy isn’t happy when Doralee’s ex crashes the class with his new fiancĂ©e, but things really get messy when the bride-to-be later turns up dead.

Now it’s up to Nixy and the Silver Six to use their melons to find the killer—before someone else gets painted out of the picture...

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Sunday, August 23, 2015

#CRAFTS WITH ANASTASIA--GUEST AUTHOR NANCY HADDOCK

Nancy Haddock is an award-winning and national bestselling author of romance and mystery. Basket Case, is the first book in her new Silver Six Crafting Mystery series. She’s also the author of a vampire series set in her current hometown of St. Augustine, FL. Nancy draws on historic wealth, southern culture, and the plain old quirkiness of places for her books. Learn more about her and her books at her website.


It Runs in the Family           
I come by my crafting gene honestly. My maternal grandmother sewed, and my great-aunt crocheted. My paternal grandmother crocheted and tatted. One of my aunt’s sewed, and another made purses for a while.

My mother might have been the most artistic of the lot. She carved and burned wood, tole painted, decoupaged, and crafted a large batik Madonna she had framed. She created elaborate holiday wreathes, ribbon pillows, knitted, and needlepointed. She also restored and repurposed furniture, particularly trunks. She’d find old, beat up trunks of all sizes, clean them up, and turn them into functional works of art.


In my past, I’ve let my artsy-crafty gene loose on any number of projects. I’ve crocheted scarves, headbands, and baby items such as blankets, booties, and hats. I’ve needlepointed using both standard and plastic canvases, and even designed and created a footstool cover for one of my sisters-in-law. I’ve made large, small, and mini wreathes, arranged artificial flowers, refinished and repurposed furniture, and crafted bead and feather jewelry. Heck, I even took up painting, although the results have to be described as beyond primitive. Prehistoric, perhaps? That’s okay. There’s something wonderfully freeing about slapping paint on a canvas and seeing where expression takes me.

Alas, I no longer make the time to craft like I used to do, but I admit to having yarn and crochet needles, and needlepoint canvas stashed in the guest closet. Oh, and half a dozen small gourds, too. I’m waiting for both the time and the inspiration to work with those, but they’ll be there when I get to them.

Meantime I indulge my love of art and crafting by writing folk artist characters who’ve bonded together to create their own family. I get to exercise my craft gene in a different way, and I’m loving the research!

Basket Case
Leslee Stanton “Nixy” Nix expects trouble when she’s summoned to check the welfare of her basket-weaving Aunt Sherry Mae. The trouble she expects in little Lilyvale, Arkansas is not the kind of trouble she finds. Sherry and her five housemates are not the least bit ill or forgetful, much less senile enough to be causing explosions and fires in the rambling old farmhouse. The self-styled Senior Six are, in fact, hosting a mobbed folk art festival on the lawn when Nixy arrives.

Nixy soon learns they are also battling a nasty-tempered real estate developer, a woman who wants Sherry Mae’s ancestral home and land at any cost. The seniors suspect the developer of burglarizing their barn, blowing up their mailbox, and then poisoning a box of chocolates left for Sherry.

Nixy still plans to return to her life and her art-gallery job in Houston—until the developer is found dead in the family cemetery. Now Sherry Mae is a suspect, and Nixy is determined to stay in Lilyvale to prove her aunt’s innocence. Nixy rallies the seniors to help investigate—a move that defies handsome police detective Eric Shoar, and puts Nixy and the Six in the killer’s sights.

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