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Showing posts with label P.A. De Voe. Show all posts
Showing posts with label P.A. De Voe. Show all posts

Wednesday, December 19, 2018

AUTHOR P.A. DE VOE SETS MYSTERIES IN MING DYNASTY CHINA

Ming Dynasty
Award-winning historical mystery author P.A. De Voe is an anthropologist with a PhD in Asian studies and a specialty in China. She has written several books and short stories featuring the Ming Dynasty. Learn more about P.A. and her books at her website. 

China is a highly diverse country whose diversity can be broken down in various ways, for example, by region (north, south, west), province, or language. Deadly Relations, A Ming Dynasty Mystery is a late fourteenth century story set in the southeastern province of Jiangxi in the market town of Jian.

While my Jian is fictional, I wanted it to reflect important characteristics of southern villages and towns and which I could use in developing the characters and plot line of my new Ming Dynasty Mysteries series. First, the majority, if not all, of the residents belonged to only one or two patrilineal clans. That is, the families were all directly related to one another through the father’s line. When women married, they married out of their patrilineal home and moved to their husband’s family’s house in another village. Therefore, all of the married women would normally be from other villages or towns. As a result of this living arrangement, the husband had lots of family around him, and the wife had no one around her from her own natal family. Another consequence of this pattern, intended or not, was that most women transferred their identity, loyalty, and attachment to the husband’s family and its interests. I pursue this idea in Deadly Relations, looking at both the positives and negatives that can arise from such a situation.

In Deadly Relations there are two main clans: the Gao and Xin. The Gao clan is the dominant clan; they have the most members, prestige, and control of the town. My protagonist Hong Shu-chang’s mother was a member of the Xin clan, the secondary clan in the village. Because Jian is a market town, however, there would also be non-Gao and Xin living in Jian. They would be immigrants and traders. The normal, everyday Chinese wanted to remain in their home area (the emperor also wanted this!) but famine or war would drive them away in search of economic survival. Nevertheless, no matter how long they stayed in Jian, they were always considered outsiders.

These tight vs. loose networks (i.e., men vs. women, clan members vs. outsiders) allows for interesting dynamics in character development.

Another issue related to north-south differences, is how schooling is treated. Although the emperor encouraged his magistrates to set up public schools for boys, in the south most boys received their education through clan-based schools. A clan-based school was set up and run by a specific clan for its members only. At the death of Hong Shu-chang’s father, his mother’s brother offered him a job as teacher in Jian’s Xin clan school. All of his students are cousins who can trace their family line to a common ancestor.

There were no schools for girls in either the north or the south. If they received any education, it was through home schooling. Shu-chang’s female counterpart, Xin Xiang-hua, is highly educated as a woman’s doctor because her medical family trained her through home schooling and an apprenticeship with her own grandmother. This professional training was highly unusual for girls. However, it did happen. Xiang-hua is based on a real, historical woman’s doctor who lived during the Ming Dynasty.

I invite you to take a trip to Jiangxi province in southern China during the late 1300s. Read Deadly Relations, where history and mystery meet!

Deadly Relations, A Ming Dynasty Mystery
As Hong Shu-chang struggles to move out of poverty, his father and uncle are murdered. Facing destitution, yet determined to find their killers, he takes a position as teacher in a nearby town where he meets Xiang-hua, the enigmatic local women’s doctor. Soon, a burned-out warehouse and two more mysterious deaths lead to his teaming up with Xiang-hua, and together they delve into the dark side of the town and its families, endangering both their reputations and lives.

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Wednesday, January 14, 2015

TRAVEL WITH SERENA--GUEST AUTHOR P.A. (PAM) DEVOE


P.A. De Voe in front of Musée national de Préhistoire, in Les Ezyies-de-Tayac, France 
P.A. (Pam) De Voe is a cultural anthropologist, which accounts for her being an incorrigible magpie for collecting seemingly irrelevant information. Her first cozy mystery, A Tangled Yarn, was published in 2013. She’s written a series of short crime stories set in Ming Dynasty, China, which have been published in ezines and anthologies, and her historical adventure/mystery YA trilogy will be published this year. Learn more about Pam and her writing at her website.

Authors are often asked where their story ideas come from. In honesty, they come from everywhere. My debut cozy mystery, A Tangled Yarn, involved spinning and knitting, two of my hobbies. In 2014 I started writing a series of crime short stories about a magistrate who lived in China’s Ming Dynasty; in 2015 my YA adventure/mystery trilogy, set in 1380 China will come out. The Chinese historical themes come from my particular passion for Chinese history and culture. But ideas come from unexpected places, too, such as traveling experiences.
View of Vézère Valley from town of Les Eyzies-de-Tayac
Recently, my husband and I drove from Paris to Les Ezyies-de-Tayac in southern France’s beautiful Vézère Valley. The area is lined by soaring white cliffs.

We wanted to see the Paleolithic cave art, which has a staggering timeline: 30,000 - 12,000 years ago—a period of at least 18,000 years. Compare the longevity of these cultural traditions to the age of our country, or even the concept of democracy, which goes back to 507 BC Athens, Greece.
St. Cirq cave site outside Les Eyzies-de-Tayac with historic troglodytic houses built into limestone cliffs 
What really captured me, however, was the stunning beauty of the art. I’d seen pictures, of course, but that was nothing compared to actually seeing a polychrome bison on the wall. The obvious sense of perspective was humbling. These prehistoric artists understood how to achieve the illusion of three dimensions on a two-dimensional surface (sorry, no pictures, we couldn’t take any in the caves) and how to carve realistic figures as three-dimensional sculptures or in base relief.
Bison head, limestone in Musee d’Archeologie Nationale, St. Germain-en-Laye, just outside Paris
I was intrigued by the art and the early modern humans who produced such art. Questions popped into my head: Who were these early people, really? How did they live? What did they believe? How did they pass on information?  So many questions. I wrote down story ideas constantly.
Venus of Brassempouy (AKA Lady with the hood), mammoth ivory,25,000 years ago,
in Musee d’Archeologie Nationale, St Germain-en-Laye, just outside Paris
Did this mean I immediately started writing Paleolithic tales?  No. I am committed to my writing schedule, which means historical Ming Dynasty and contemporary stories right now. However, I have my notes, and I very well may write short stories or a novel based on my trip to Les Eyzies-de-Tayac.

Ideas come from everywhere, including our travel experiences.

A Tangled Yarn
When Shannon McClain and the Purls of Hope visit the alpaca and llama farm of Luke and Selena Barlow, little do they know that the twisted path of the next few days will lead them from their peaceful small town of Apple Grove, Oregon, straight to the brink of disaster.