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Showing posts with label fashion history. Show all posts
Showing posts with label fashion history. Show all posts

Wednesday, January 16, 2019

#FASHION--A BRIEF HISTORY OF WOMEN'S HATS

Credit: The Illustration Art Gallery, London
Hats Off!
As a child, I often played dress-up with the treasures I found in Grandma’s attic. I especially loved the hats of bygone Easters. Those wide-brimmed, floral and ribbon bedecked bonnets allowed my imagination to take flight, and I’d picture myself on the arm of a handsome suitor as we strolled along Fifth Avenue.
  
Although hats started out as protection against the elements, through much of history, they were both a social and a fashion statement. No well-bred lady left the house without a head covering, and for a good deal of history, women also kept their heads covered while indoors.

Strict laws forbade Puritan and Pilgrim woman from using ornamentation, “gay” colors, or silk fabrics, and Quaker women wore a snug, simple white cap that tied under the chin. However, the influx of diverse settlers and our growing trade with Europe soon heralded a change in fashion attitudes, the austere giving way to the grandiose.

Beginning in 1810 and remaining fashionable in various forms for fifty years, bonnets dominated women’s fashion. Made of straw, board, or silk-covered buckram, bonnets were decorated with ribbons, flowers, feathers, and gauze trims.

By 1860, when hats fastened with hatpins replaced bonnets, hats became more and more lavishly decorated, especially with ornamental plumage. By the 1880’s hats were piled high with everything from feathers to fruit to entire stuffed birds and reptiles. It was not uncommon to see a woman decked out in a hat that included egret plumes, owl heads, sparrow wings, and four or five stuffed warblers perched on her head! The craze intensified further in the early 1900’s with the advent of shoulder-width brims that allowed for even more exotic and unique adornment.

The demand for feathers was so great that many birds, including the snowy egret and the ostrich, risked extinction. For this reason, in 1896 a group of society women in Boston began boycotting hats decked out with birds and feathers. From this small movement grew the Audubon Society.

However, several other factors played a role in weaning women from adorning their heads with plumage. One was the growing popularity of the automobile. A woman might look graceful and elegant with her ostrich plume floating behind her as she cantered sidesaddle across her spacious lawns, but the effect was not nearly as appealing when she motored along at twenty or more miles an hour!

Then in 1913 dancer Irene Castle bobbed her hair and started a new trend. Elaborate hats with their abundant ornamentation needed the support of a woman’s long hair, piled high on her head. The shorter hairstyles afforded no such support. Hats began to decrease in size and pretentiousness. The trend toward more modest hats intensified with the onset of World War I. Large feathers and ornate decoration were considered unpatriotic, suggesting a woman cared more for her appearance than the war effort.

By contrast, during World War II, although rationing was prevalent, hat materials were not rationed. Women wore richly decorated hats to brighten otherwise dreary fashions as well as people’s spirits. No one epitomized this more than Carmen Miranda, the flamboyant singer and actress known for her fruit-laden hats.

The continued popularity of shorter hairstyles throughout the twenties and thirties made the close-fitting, helmet-shaped cloche popular. These hats were adorned with only simple ribbon or a small brooch. Some included lace, a veil, or pleated folds. Simple small brimmed hats and flat berets were also popular.
  
Fashion once again changed dramatically in 1947 when Christian Dior debuted his New Look, with hats to match each outfit in his collection. These hats ranged from highly ornate styles with wide brims and veils to the very simple pillbox, favored by First Lady Jackie Kennedy in the early 1960’s.

However, even a popular First Lady couldn’t keep the hat from declining, as more and more women preferred to showcase their hairdos, rather than hide them. In 1967 when the Catholic Church lifted its edict requiring women cover their heads in church, hat wearing became even less popular. Now, with few exceptions, many Americans once again only wear hats as protection against the elements.

Wednesday, May 13, 2015

#FASHION WITH TESSA--GUEST AUTHOR ALICIA DEAN

Award-winning author Alicia Dean began wrote her first romance, featuring an Elvis Presley look-alike hero, at the age of eleven. She still has the tattered, pencil-written manuscript. Today she joins us to talk about the fashions of the 1920s. Learn more about Alicia and her books at her website. 

Fashion in the 1920’s – Thumbs Up or Thumbs Down?

Clothing in the 1920s, especially for women, brought about one of the most drastic fashion changes in history. With the new era of independence and freedom and change, women shucked the uncomfortable bindings of corsets and long dresses. Hemlines began to rise, and the restrictive clothing began to loosen. Dancing and going out on the town was a big part of socializing in the 1920s and to accommodate that way of life, women began to wear loose-fitting dresses with lower waist lines, which was especially comfortable for the popular dance of the time, The Charleston.
The cloche hat was quite popular.

In the Martini Club 4 series, all of our heroines, although from England, adopted the flapper wardrobe after arriving in New York City, with the exception of Meggie, from Kathy L Wheeler’s, Reckless. Meggie is a singer, who prefers the body hugging style of dress. But after all, what else should a sexy, siren songstress wear?

Men’s fashions changed quite a bit as well. Less often did you see the stuffy, buttoned-up look and drab-colored suits. Men adopted more colorful, rather unusual looks, much of it patterned after the style of popular athletes.
In Ruined, my hero, Vince, wears a newsboy cap and suspenders. I modeled him after Robert Redford and these are photos I used as inspiration:
Although I’m not much of a clotheshorse, I do love the gorgeous, fun dresses from the 1920s. (I’m satisfied to knock around in jeans. Or even sweat pants. But my very favorite go-to outfit is my comfy pajamas.) My heroine, Eliza, had an opportunity to attend elegant affairs in the story, which gave me the opportunity to dress her in all kinds of awesome outfits.

What about you? What do you think of the styles of the 1920s? Would you like it if we went back to wearing the flapper dresses, beads, and funky hats?

 
Ruined: Martini Club 4 Series—The 1920’s

She vowed she’d be no man’s doxy, but fate had other plans... 

After the Earl of Goodwin attempts to force himself on her, housemaid Eliza Gilbert flees England for New York, hoping to build a better life. But the land of opportunity proves as harsh as the London docks, and she finds herself in a situation more dreadful than the one she escaped. 

When Vince Taggart’s childhood friend disappears, he heads to New York in search of her and meets Eliza, a woman with a less than honorable reputation. Inexplicably captivated, Vince can’t force himself to stay away, especially when he learns Eliza may be the key to finding his missing friend. 



Ruined is one of the books in the Martini Club series, four themed novellas written by four different authors. All are currently on sale for 99 cents. Check out the other books in the series here.

Wednesday, June 6, 2012

FASHION WITH TESSA - THE MANLY BEGINNINGS OF THE MAN PURSE


Reader Nina Martin sent us this great infographic on The Evolution of the Bag to share with our readers. Being the technophobe that I am, I had to break it up into sections so that it would be readable. You'll still need to zoom in to read it. If you have problems, click here for the link. Then click on the graphic to enlarge it.