Featuring guest authors; crafting tips and projects; recipes from food editor and sleuthing sidekick Cloris McWerther; and decorating, travel, fashion, health, beauty, and finance tips from the rest of the American Woman editors.

Note: This site uses Amazon affiliate links. As an Amazon Associate, I earn from qualifying purchases.
Showing posts with label horse mysteries. Show all posts
Showing posts with label horse mysteries. Show all posts

Wednesday, July 6, 2016

FAVORITES, FAILURES & FRUSTRATIONS--GUEST AUTHOR SASSCER HILL

The Author on Her Horse
Sasscer Hill, a former Maryland racehorse breeder, trainer, and rider, uses the sport of kings as a backdrop for her multi-award nominated mysteries. However, publishing success often takes time. Today Sasscer discusses her writing frustrations and how she persevered to overcome them. Learn more about Sasscer and her books at her website.

Back in 1994, I wrote a romantic suspense novel and landed a literary agent. I thought the rest would be a slam-dunk! Fast-forward sixteen years where, still unpublished, and now two agents later, I’d completed two novels featuring female jockey Nikki Latrelle.

I wrote these books because of my passion for Thoroughbreds and my love for and knowledge of horse racing. One of my mentors suggested I make all my writing like the races I wrote–putting that excitement, that pacing, and those amazing characters that populate this world into every chapter. So I began a third Nikki Latrelle with that in mind, and prayed it would land a New York publisher.

In February of 2010, my favorite author Dick Francis died, I was diagnosed with lymphoma, and my horse farm was hit by the worst blizzard in the history of Maryland. Feeling desperate, I begged a small press owner to look at the first in the Nikki Latrelle series, Full Mortality. He read the manuscript during the blizzard and accepted it the next day.

Miraculously, Full Mortality was published in May of 2010, received rave reviews, and was nominated for both Agatha and Macavity Awards.

The award nominations helped secure a third and better agent with a successful track record. But by the time I finished the third book in the Nikki Latrelle series, it was clear that New York publishers weren’t interested in the latest in a series already published by a small press–unless it had humongous sales. A word to the wise: you are unlikely to get humongous sales with a small press.

My new agent told me to start another series. So I did, creating Fia McKee, a thirty-two-year-old agent for the real life agency, the Thoroughbred Racing Protective Bureau. I finished the manuscript of Flamingo Road in 2014 and started the second in the Fia McKee series in October that year.

My agent began shopping for publishers in December of 2014. The next spring, we caught the attention of an editor at St. Martins, Minotaur, but she had reservations about readers’ interest in a horseracing novel. I immediately went to work, obtaining statistics on the surprisingly strong popularity of horse racing. Things like NBC’s unprecedented ten-year extension agreement to broadcast rights to the Breeders Cup weekend races as well as the eleven qualifying races that precede that two-day, all-star event. I noted how a recent ESPN poll showed horse racing is the most popular non-team sport, beating out tennis, boxing, and even NASCAR! I sent the report to my agent, who sent it to St. Martins.

Less than a week after this, the Carrie McCray committee gave my in-progress novel, the second in the Fia McKee series, their Best First-Chapter of a Novel award. Within days, this same novel received a Claymore nomination.

But the brightest star to align that week was a racehorse named American Pharoah. Deep in my heart, I’d believed if the colt could pull off the historical and momentous feat of winning the first Triple Crown in 37 years, it might nudge a publishing offer from St. Martins my way. White knuckled, I watched the final race at Belmont. When American Pharoah blasted around the track on the lead, rocketed down the stretch, and began pulling away from the Belmont field, I almost had a heart attack. When he opened up and won by daylight, I burst into tears. Turning to my husband, I said, “I think Flamingo Road will get an offer.”

I could feel the bright star that is my love for horses rising over me. Pharoah’s race drew 22 million television viewers, and the subsequent radio, television, and social media attention was phenomenal. Within a week, American Pharoah appeared on the cover of Sports Illustrated, and a day later, I received a two-book offer from St. Martins Minotaur.

But I was surprised to learn that the first Fia McKee novel would not come out until the spring of 2017, a wait of almost two years! My last book had been published in 2013, and I surely hated waiting for so long!

I was aware that some publishers are asking their authors to write novellas and short stories to keep these writers in the public eye during the intervals between their full-length novels. The obvious answer for me was a new Nikki Latrelle. But as I was under contract to St. Martins, I knew the time slot was very compressed. A novella seemed like just the thing.

I believed the tale of Nikki’s early years would make a poignant and satisfying read. Imagine a fatherless thirteen-year-old girl whose mother dies suddenly. In a sense, this mother has abandoned her daughter, leaving her in the hands of a lewd, malevolent stepfather. Nikki has no family, and when the stepfather forces his way into her bedroom, she flees. Her best times were spent with her mom at the racetrack, so this is where she runs.

Nikki is forced to steal food, sleep in racehorses’ stalls to stay warm, and avoid the police and her stepfather who search for her. But just when things seem to be going right for her, Nikki crosses paths with a young man who makes her stepfather seem like a saint.

Racing from Evil
Nikki Latrelle’s mother dies suddenly, leaving the thirteen-year-old girl in the hands of a pedophile stepfather. After escaping his attempt to assault her, Nikki flees through the nighttime streets of Baltimore and climbs a razor-wire fence into Pimlico Racetrack, the place she and her mom spent their happiest days together. Nikki’s drawn to horses, knows how to ride, and dreams of being a jockey. But how can a runaway with no ID, no family, and no income survive?

She needs money, but must hide from both the police and her stepfather who relentlessly search for her. As these men close in, a groom named Carlos helps her escape. Carlos has problems of his own, but through him, she meets the old horse-trainer Ravinsky. Will the old horseman take her under his wing? Risk his status and reputation to help her? And what evil has befallen Carlos’s young son, Pedro? The boy is missing, and Nikki senses evil forces are at work. Because she knows too well how it feels to be alone and frightened, she puts her life on the line to find Pedro.

Buy Links

Wednesday, January 22, 2014

TRAVEL WITH SERENA--GUEST AUTHOR SALLY WRIGHT

photo by Phillip Capper of Wellington, NZ
Reviewers have compared Sally Wright's work to that of Agatha Christie, Dorothy L. Sayers, Josephine Tey, Margery Allingham, and Ngaio Marsh. High praise, indeed! Learn more about Sally and her books at her website. 

A Traveler’s Tale

Places haunt me–water and hills and woods, ruins and houses with good bones and character that whisper secrets I can’t hear.

The mind’s eye is a powerful faculty. I can still see a tiny arched wooden bridge over a miniscule shivery stream edged with wild watercress, beside a dark forest, in front of a wood-beamed cottage in Connecticut I haven’t seen since I was four.

Places give me plots, too–sometimes by raising questions, like, “If someone were on this island alone, how could I murder him?” The Ben Reese mystery, Pride And Predator, ended-up being the answer to that question.

Which means traveling influences a lot of how I write. Breeding Ground, the new Jo Grant mystery, was born years ago on a book tour visit to Lexington, Kentucky. I decided then to set part of the Ben Reese Watches Of The Night there, and as I did research, staying in beautiful old farmhouse B&Bs, where the owners told me the houses’ history, and stories about local characters, it made me want to write a new series immersed in that lush green world where Thoroughbreds graze the ridges and hills.

I rode horses for years, so that was part of the appeal. And most of the people who raise them in Breeding Ground (who’re connected to three family businesses–a hands-on broodmare farm, an equine pharmaceutical company, and a ma-and-pa horse van manufacturer) were fun for me to write about.

But the serendipity of travel makes books change course and become more complex and authentic. As I researched the back-story in Breeding Ground–the French Resistance (all over France, all through WWII), and the US OSS that helped them–I became overwhelmed. Fortunately, a history professor gave me a book on the Resistance in the Loire Valley alone. But I didn’t have anyone in France who could help, and I needed to do work there.

It was in a small B&B in an old mill in the Loire Valley where I was given a gift I’ve been given before–the kind that saves books.

Sitting beside black-and-white ducks, green glass river sliding by, the mill owner spoke of the Resistance in the Lorraine with real knowledge and passion. He’d filled the whole mill with WWII books, and though we talked for hours, it was his description of a real event in the village beyond the mill–and the local reaction in 2010 (that I put straight into Breeding Ground) that gave me the perspective I needed.

So. Without the travel, would I have written books? Yes. Except for one made-up location, I set the first Ben Reese in places I’d seen as a child, and used the pictures in my head. But the rest of the novels wouldn’t have as many levels, or take readers to that many interesting places–in their minds’ eye.

Breeding Ground
In Lexington, in 1962, Jo Grant, an architect, who put her work aside to nurse her dying mother (only months before her brother dies,) has to run the family broodmare farm she’d rather leave behind–when another casualty from WWII turns up in need at her door, traumatized by his work with the French Resistance–right when she and a WWII OSS vet are trying to stop the killer of a friend caught in the conflicts of another family horse business in the inbred world of Lexington Thoroughbreds.




Sunday, April 15, 2012

THIS WEEK'S BOOK GIVEAWAY WINNER

Thanks to all who stopped by this week, and a special thanks to Patti Brooks, our Book Club Friday guest author. Patti offered a copy of Fame & Deceit to one of our readers who posted a comment this week. The winner is Barbara D. Barbara, please send your mailing address to me at anastasiapollack@gmail.com so I can forward it to Patti. 

Thursday, April 12, 2012

BOOK CLUB FRIDAY -- GUEST AUTHOR PATTI BROOKS

Our guest today is Patti Brooks, author of  Fame & Deceit, the first book in her new mystery series set in New England. Patti has been a published author since she sold her first article to an international magazine when she was sixteen years old. She’s since published over 500 articles. Her first novel, Mountain Shadows, became required reading in many NY State high schools. Learn more about Patti at her website.

Patti is offering a copy of Fame & Deceit to one of our readers who posts a comment to the blog this week. Be sure to check back on Sunday to see if you’re the lucky winner. -- AP


As a novelist, I believe it’s my responsibility to deliver entertainment to my readers. It’s much too easy today for folks to put down a copy of my book and pick up the TV remote. I’ve got major competition out there; not only from my fellow novelists, but TV, movies, etc.

Therefore, readers have a profound influence on writers. And when you peel away the layers of influence, it all comes down to sales. Of course there are writers that profess to just having published a book fills all their dreams. And there are writers that insist they wrote a book to get a point across (preach).
I seriously doubt that any writer wouldn’t be more satisfied if his sales’ commissions were of the caliber to make it worthwhile to drive to the bank to deposit on the day the commission arrived.
A novelist hoping for a career, must search his soul and study the statistics of what is more than marginally saleable. Of course that won’t guarantee success, but at least it’s a step in the right direction. And, what readers seek (i.e. "buy") is constantly shifting.
I recall many years ago, in the days before I became a novelist, going to bookstores and pulling the thickest books off the shelf first. If it was a 1,000+ page novel, I would automatically buy it.
My reason for doing so was that I wanted to get thoroughly immersed in the characters’ lives. Like a particularly good dessert, I want to savor every bite.
My favorites were Anna Lee Waldo’s Soakage (1400 pp), and Prairie (1100 pp). And Helen Hoover Santmyer’s ..Ladies of the Club. Of course, James Michener’s thick books line my bookshelves alongside Shogun by James Clavell.
It’s next to impossible for books like these to find a publisher today. Agents and publishers tend to frown on manuscripts over 100,000 words. There are some, however, that get the go-ahead, but mostly because the writer already enjoys a reputation of delivering what readers want. I’m a fan of most things written by Ken Follett. His Pillars of the Earth and Fall of the Giants are among the BIG reads.
Before I became a novelist, I wrote over five hundred articles for magazines. Had a monthly column in a trade journal for a few years as well. All that time I "knew" there would be a day I would start my career as a novelist. Since I was a horse trainer, I felt it was inevitable that one day I would break a bone. That would give me, I reasoned, a good six weeks to mend. So, I certainly could write a saleable manuscript in six weeks, right?
So wrong! At least for me. When I did tackle my first historical novel, Mountain Shadows, it took about four years of research and two years of writing and re-writing before catching the eye of a publisher. Of course, I did not have research assistants like Michener and Follett.
It’s a sign that a successful novelist has matured when he chooses the audience for which he writes. He can’t be devastated when he see readers leaving his book (child) on the shelf in favor of another. (Or even worse, put it back on the shelf after taking a peek at the first chapter.)
If I want to see a hefty royalty check, I have to give readers something they anticipate they will enjoy. It doesn’t mean I have to give up my soul to create something against my nature. May be as simple as understanding the market for which I choose to write.
Novel readers want to be stimulated and motivate. Or escape into a different world. Or envision themselves in the role of a character.
A fellow journalist who turned to writing wonderful short stories once told me that after spending a career making sure he got the facts right, he started to lie and loved every minute of it.
And, if I do it right, readers will pay me for lying!

Thanks for joining us today, Patti! Readers, if you’d like the chance to win a copy of Patti’s new mystery, post a comment. -- AP