Thriller author Marilynn Larew sits down with us for an
interview today. Learn more about Marilynn and her books at her website.
When did you realize you wanted to write novels?
I wrote my first novel
after I finished my PhD program. It was a hard-boiled mystery with a female
protagonist. It almost sold. If it had, I would have been one of the first to
write that kind of mystery.
How long did it take you to realize your dream of
publication?
I stopped writing fiction
after that book didn’t sell and went on to publish history non-fiction. After I
retired, I returned to thoughts of writing a novel. The Spider Catchers (Lee Carruthers # 1) went though a number of
incarnations before I settled on its current form. I guess maybe it took eight
years.
Are you traditionally published, indie published, or a
hybrid author?
I’m an indie.
Where do you write?
I have an office in my
home.
Is silence golden, or do you need music to write by? What
kind?
Silence is golden. I tried
playing music while I write, but I found I didn’t listen to it, so I stopped
bothering.
How much of your plots and characters are drawn from real
life? From your life in particular?
I write about terrorism,
money laundering, gun and drug smuggling, and human trafficking, so my plots
are taken from the daily news. My characters are entirely fictional, but people
who know me say Lee’s voice is mine.
Describe your process for naming your character?
Foreign names I take from Internet
lists. I’m not sure how I name my other characters. Names just come, and I
fiddle with them until they feel right. I do take care that names are not
similar and that they don’t begin with the same initial to avoid confusion.
Real settings or fictional towns?
All my settings are as real
as I can make them: Fez and the Algerian desert for The Spider Catchers and Dubai, naturally, for Dead in Dubai, but Istanbul and Bulgaria also play a part in that
book. I do a lot of research on my settings. The Internet is a wonderful
resource, and so is Google Earth. Maps, maps. I’m a map junkie. Guidebooks,
too. All of them allow me to give s real sense of place to my work.
What’s the quirkiest quirk one of your characters has?
My heroine, Lee Carruthers,
sleeps in the nude, and she keeps forgetting to pack nightgowns when she goes
out of town.
What’s your quirkiest quirk?
I’m not sure I’m quirky.
I’m just a mild-mannered retired historian whose most unusual publication is
about the construction of a citadel near Hanoi, Vietnam, in 300 B.C.
If you could have written any book (one that someone else
has already written,) which one would it be? Why?
War and Peace. Tolstoy flipped that plot over more times than I
thought possible, although he married Natasha to the wrong man. Her brother
Nickolai’s sudden understanding that they are shooting at HIM as he rides in a
charge against the French is every soldier’s realization of his own mortality.
I quit writing for several years after I read it. Then I decided that not being
a Tolstoy was no excuse for not writing.
Everyone at some point wishes for a do-over. What’s yours?
I’d like to be as thin as
my heroine and have long wavy hair. And have the ability to take down a grown
man with my hands. There are a lot of men that need taking down by a
mild-mannered historian.
What’s your biggest pet peeve?
Grammar in books and on TV.
I know the language is evolving and all that, but some things are just wrong. A
mild-mannered academic, eh?
What was the worst job you’ve ever held?
I worked in Woolworth’s 5
& 10 in Easley, South Carolina, when I was 14. It was a long Saturday standing
on my feet, but I learned a lot about human nature.
Ocean or mountains?
Each in season. I love the
ocean, but I have no desire to swim in it, so spring and fall after the tourist
season is when I want to go to the beach. I love the mountains in the summer
for their coolness and in the fall for their wonderful colors.
City girl/guy or country girl/guy?
Country girl. We live on
five acres five miles from the nearest town. It’s very peaceful. Unfortunately,
that is also five miles from the nearest store or pizza. Still, I can see a
Mason-Dixon Line marker from upstairs.
What’s on the horizon for you?
Number three in the Lee
Carruthers series, Hong Kong Central.
It takes place during the Hong Kong pro-democracy demonstrations of last year.
Anything else you’d like to tell us about yourself and/or
your books?
You write what you know,
and what I know isn’t cozy. I moved around a lot. I lived in a lot of small
towns, but we didn’t stay long enough for me to develop the kind of network of
friends that make for a cozy book. Other things I know – what I studied and
taught – aren’t cozy either: military history and terrorism, bank panics and
colonial rebellions. Apparently I have a taste for violence. And for far away
places. I lived in the Philippines and on Okinawa. I’ve traveled in Europe and
Asia. Studied in Hanoi. Funny, I’ve never felt alien in Asia, despite being a
large round-eye, but I have felt alien in a lot of places in the U.S. when we
moved, and I had to adjust to a new school and new people. My heroine, Lee
Carruthers, goes alone into foreign places with a mission to carry out. She has
to learn those places and their people and their dark streets fast to stay
alive and carry out that mission. Not exactly my life, but not cozy, either.
Dead in Dubai (Lee Carruthers # 2)
Why is CIA officer George
Branson dead in Dubai? It looks like straight detective work, finding out what
George has been up to and why he’s dead, but when former CIA analyst Lee
Carruthers arrives in Dubai, she walks into a deadly war between two rival
Merchants of Death vying for market share. She learns that George has worked
for each man under a different name. With his own, that gives George three
identities. Which man is dead? Has George really been working for the Agency,
or has he sold out and, if so, to whom? Who are the men following her? And why
does she keep finding diamonds?
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