Featuring guest authors; crafting tips and projects; recipes from food editor and sleuthing sidekick Cloris McWerther; and decorating, travel, fashion, health, beauty, and finance tips from the rest of the American Woman editors.

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Monday, June 10, 2013

COOKING WITH CLORIS--GUEST AUTHOR CAROLE SHMURAK


Carole Shmurak, Professor Emerita at Central Connecticut State University, is the author of the Susan Lombardi mystery series, including Deadmistress (named a Notable Book of 2004 by Writers Notes Magazine), Death by Committee, Death at Hilliard High and Most Likely to Murder. As Carroll Thomas, she co-authored Ring Out Wild Bells, nominated for the Agatha for Best YA mystery in 2002. Learn more about Carole at her website.

Deadmistress is the book that introduced my sleuth, Professor Susan Lombardi. Of course, the Susan Lombardi character is based on me—she has the same professional background and my insatiable curiosity. Fortunately, I’ve never been close to anyone who’s been murdered, and I’m happy solving puzzles in books. But everyone wants to know if Susan’s husband, Michael Buckler, (affectionately known as ‘Swash’) is based on my husband. He’s not. I decided when I created Susan that this was also an opportunity to create my ideal husband, so Swash is independently wealthy — and he cooks! (My real husband, Steve, is a wonderful person but he lacks those two traits). When Susan returns home at the end of a long day of teaching and/or sleuthing, there is always a delicious meal awaiting her. And because Susan’s ethnic background is part-Italian, Swash often makes Italian dishes. His cioppino recipe is the one I’ve chosen here.

Swash’s Signature Cioppino

1 lb fresh cleaned shrimp
1 lb sea scallops (or 1 lb boneless chicken breast, cut into 1 inch chunks)
3 Tbl olive oil
1 small pepper (red or green) diced
1 cup chopped onion
4 cloves garlic, minced
1/2 cup dry white wine
1   28 oz. can crushed whole tomatoes with liquid
1   8 oz can tomato sauce
1 cup chicken broth
5 Tbl dried parsley
Dried basil leaves to taste
Salt & pepper to taste
1 lb cooked linguini
Grated parmesan cheese

Heat 2 Tbl of oil in large heavy skillet over medium high heat. Lightly brown the scallops (or chicken) on both sides, but don’t worry if still a little pink inside. Remove to a platter.

Reduce heat to medium and add remaining oil, and the onion, garlic and peppers. Saute 3-4 minutes until soft. Add wine and cook 2-3 minutes more.

[If your skillet is large enough you can keep going in that, or you can transfer everything (except the scallops or chicken) at this point to a large pot. Reduce heat to medium-low, and add tomatoes with liquid, tomato sauce, broth, parsley, basil, salt and pepper, to the onion, garlic and peppers. Cover and simmer for 15 minutes. 

Add scallops or chicken and simmer partially covered for 5 minutes. Add shrimp and simmer for 5 more minutes. (If shrimp were raw, check that they are now cooked through; if using cooked shrimp, 5 minutes is enough.)

Serve over linguini. Sprinkle grated parmesan cheese on top.

Blurb: The headmistress of an exclusive private school for girls has been found murdered in her office. When professor Susan Lombardi learns that her friend John is the prime suspect, she sets out to clear his name, but her research uncovers some troubling secrets about the school's faculty and students. And soon it becomes clear that John is not the only one with a motive for murder.

CRAFTS WITH ANASTASIA--COUNTED CROSS STICH SUNFLOWER


Summer is nearly here, and here’s a quick counted cross stitch sunflower design to herald the warm weather. Stitch it on a prefinished bookmark, sachet bag, or placemat, or use waste canvas to stitch on a garment.

Stitch count: 22w x 44h
Finished design size on 14-ct. fabric: 1-3/4”w x 3-1/8”h


Thursday, June 6, 2013

BOOK CLUB FRIDAY--GUEST AUTHOR MARY KENNEDY EASTHAM


Mary Kennedy Eastham, had the good fortune of growing up in a small New England town. She spread her wings and moved to New York City, San Francisco and Malibu which is where many of these stories took shape. Her first book, The Shadow of A Dog I Can't Forget, now in its Fifth Printing, was a 2011 WILD CARD winner in the Hollywood Book Festival and a 2010 Celebrity Achiever Award winner. Her second book, Squinting Over Water - Stories recently was a Runner-Up WILD CARD winner in the Paris Book Festival. Learn more about Mary and her books at her website. 

Pixar's 22 Rules of Phenomenal Storytelling

I live in Silicon Valley and was lucky enough to be in a seminar where Emma Coats, a Pixar storyboard artist shared with us these rules of Phenomenal Storytelling. They are shaped around the world of movie-making but they are great creative tidbits of inspiration that we can all use.

1. You admire a character for trying more than for their successes.

2. You gotta keep in mind what's interesting to you as an audience NOT what's fun to do as a writer.

3. Trying for theme is important, but you won't see what the story is actually about 'til you're at the end of it. Now rewrite.

4. Once upon a time there was______________. Every day____________. One day__________. Because of that__________________________ until finally _____________________________.

5, Simplify. Focus. Combine characters. Hop over detours. You'll feel like you're losing valuable stuff but it actually sets you free.

6. What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?

7. Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.

8. Finish your story and let go, even if it's not perfect. In an ideal world you have both, but move on. Do better next time.

9. When you're stuck, make a list of what wouldn't happen next. Lots of times the material to get you unstuck will show up. 

10. Pull apart the stories you like. What you like in them is a part of you, you've got to recognize it before you can use it.

11. Putting it on paper lets you start fixing it. If it stays in your head, that perfect idea,  you'll never share it with anyone.

12. Discount the first thing that comes to mind and the second and the third and the fourth and the fifth. Get the obvious out of the way. Surprise yourself.

13. Give your characters opinions. Passive, malleable might seem likeable to you as a writer but its poison to the audience.

14. Why must you tell THIS story?  What's the belief burning within you that your story feeds off of. That's the heart of it.

15. If you were your character in this situation, how would you feel? Honesty lends credibility to unbelievable situations.

16. What are the stakes? Give us reason to root for the character. What happens if they don't succeed? Stack the odds against them.

17. No work is ever wasted. If it's not working, let go and move on. It'll come back around to be useful later. 

18. Coincidences to get characters into trouble are great; coincidences to get them out if it is cheating.

19. You have to know yourself. The difference between doing your best and forcing the story is testing not refining.

20. Here's an exercise: take the building blocks of a movie you dislike. How would you rearrange them into what you DO like.

21. You gotta identify with your character's situations. You can't just write cool. What would make YOU act that way? 

22. What's the essence of your story, the most economical telling of it? If you know that, you can build out from there.


Squinting Over Water - Stories
There are no perfect people here. These characters are you and me trying to make sense of things -- good and bad -- coming up with a Plan B when life gets messy. One early reader said she would walk across continents to get to this book. These whimsical stories transformed her, made her believe once again in the true beauty and playfulness of life. 
  

Wednesday, June 5, 2013

TRAVEL WITH SERENA--CHECKED BAGGAGE TIP


Are you planning to fly somewhere on vacation this summer? Checked baggage fees add a huge chunk to the cost of the airfare. Here’s a great tip: If your credit is good, apply for a travel rewards credit card linked to the airline of your choice. Most of them entitle you to check at least one bag for free and give you $1,000 or more in frequent flyer points. The cards carry an annual fee, but the first year is free. You can always cancel the card before the year is up to avoid paying the fee. Some credit card companies will even wave the fee for the following year if you ask.

Tuesday, June 4, 2013

BOOK CLUB FRIDAY GUEST AUTHOR GAIL BARRETT


Former Rita finalist Gail Barrett is the author of thirteen books for Harlequin Romantic Suspense.  Her books have won numerous awards, including the National Readers’ Choice Award, the Book Buyers Best, the Holt Medallion and Romance Writers of America’s prestigious Golden Heart.  For more about Gail and her books, visit her website. – AP  

Ever since time began, people have done bizarre things in their quest for beauty.  And I do mean bizarre:  Leech face lifts.  Setting their faces afire.  Drinking pig placenta (popular in Japan).  Using facials consisting of everything from song bird feces, bee venom, and caviar to gold.  The ancient Romans even gargled with imported Portuguese urine to whiten their teeth and kill bad breath. 

People have modified their bodies for beauty, too -- and not just with piercings and tattoos.  The Sudanese and Ethiopians began using lip plates in 8,700 B. C.  The Kayan women of Thailand have used metal coils to elongate their necks for a thousand years.  At one time or another, various cultures have engaged in cranial binding, scarification, and breast ironing (!), all in the pursuit of beauty.  And let’s not forget Chinese foot binding to create those “beautiful” lotus feet.

And then, of course, comes the big gun in the beauty arsenal -- plastic surgery.  The first recorded nose job was in 600 B.C.  By the first century B.C. Romans were not only operating on noses, but doing breast reductions in men.  They also removed scars, especially those on their backs (a terrible stigma, implying that a person had turned his back in battle, or worse, been whipped like a slave.)

But plastic surgery isn’t always about beauty.  There’s another side to it, the healing side, restoring features disfigured by accidents, violence or disease.  This corrective side predates its use for beauty, with written records of it going back over four thousand years.
 
This is the side of plastic surgery I focused on when I created the heroine of the final book in my Buried Secrets trilogy, Seduced by His Target.  Nadine Seymour is a plastic surgeon who specializes in doing reconstructive work on battered women.  Thanks to her own abusive upbringing, she understands the value plastic surgery can have, not just in making women beautiful, but in helping them regain their dignity and self-esteem.

I was inspired to create this character after losing the tip of my nose to skin cancer some years ago.  Several operations (including the Mohs procedure and two skin grafts) left me very depressed about my appearance, especially after several doctors assured me that there was nothing more they could do.

Then I found a plastic surgeon willing to try.  It took several operations -- scar revision surgery, microdermabrasion, and finally rhinoplasty -- to get my nose somewhat back to normal, or at least to the point where I didn’t feel self-conscious in public anymore.  But that ordeal taught me the real value of plastic surgery.  I began to see past the fillers and face lifts to how liberating it could be, how it could restore confidence, elevate self-esteem, and rehabilitate shattered lives.

It also made me rethink my attitude toward beauty treatments in general.  And while I doubt I’ll ever drink pig placenta or set my face on fire, I do own an impressive collection of retinoid and antioxidant containing products that I hope will repair my sun-damaged skin and prevent the need for future surgeries.  So no matter how bizarre they are, I never snicker at beauty treatments.  Because who knows -- that snail mucous cream just might improve someone’s life.

The Buried Secrets Trilogy: Three murder witnesses, one deadly conspiracy

Book one - Fatal Exposure, June 2013
Book two - A Kiss to Die For, August 2013
Book three - Seduced by His Target, December 2013

Fatal Exposure
Cold-case detective Parker McCall has spent fifteen years trying to solve his brother’s murder.  Now a chance photo of the killer in the newspaper sets him hard on the woman’s trail.  A former teenaged runaway, reclusive, award-winning photojournalist B.K. Elliot chronicles the harsh reality of life on the streets -- until a photo in the paper reveals her identity, blowing the lid off her secret past.  With a powerful murderer now dogging her heels, and her police officer step-father determined to silence her permanently, the last person she can afford to trust is a cop.  So why does sexy police detective Parker McCall tempt her to break her silence and resurrect ideals she’d lost years ago?  As danger closes in, and with more than her own life at stake, Brynn must decide if the duty-bound cop will betray her...or heal her battered heart.

Monday, June 3, 2013

COOKING WITH CLORIS--GUEST AUTHOR EDITH MAXWELL


We welcome back today mystery author Edith Maxwell (aka Tace Baker) who writes the Local Foods Mysteries. Edith once owned and operated the smallest certified-organic farm in Essex County, Massachusetts, so she knows about food. Today she shares with us a recipe for one of my favorite veggies. Learn more about Edith and her books at her website. -- AP

Local Asparagus, Local Murder

My new mystery, A Tine to Live, a Tine to Die, opens on the first pick-up day for the subscribers to the farm share program at Cam's organic farm. She hands out recipes to her customers and, since everybody loves fresh June asparagus in New England, she includes instructions for her special Marinated Asparagus.

 

Cam’s Marinated Asparagus


Ingredients:
1 pound farm-fresh asparagus
1 clove garlic
1 Tbsp fresh rosemary, finely minced
1 Tbsp fresh chives, finely minced
1 tsp Dijon mustard
1/8 tsp salt
Freshly ground pepper
1 Tbsp fresh-squeezed lemon juice or wine vinegar (or a mix)
1/4 cup good-quality olive oil
Salt and pepper

Snap the bottoms off the stalks of asparagus and wash the stalks.

Place asparagus in a steamer (microwave or stovetop) with water and steam several minutes until just bright green. The stalks should still be crisp. Plunge in cold water for one minute to stop the cooking, then remove to a colander.

Press the clove of garlic through a garlic press into a small bowl. Add the mustard, herbs, and lemon juice or vinegar, and whisk to combine. Drizzle in the olive oil slowly, whisking as you go. Add salt and freshly ground black pepper to taste.

Dry the asparagus with a clean dishtowel and cut it into inch-long segments. 

Place asparagus pieces in a bowl, add the dressing, toss, then add all to a green salad.

You can also serve the asparagus as a side salad by arranging the stalks pointing in the same direction on a plate. Pour the dressing over them, then roll the stalks to coat them.

I hope you enjoy the asparagus and the first in the Local Foods Mysteries series. What's your favorite late spring recipe? Do you belong to a farm share program or have a good farmers' market nearby? Would you want to continue shopping at a farm that also featured locally sourced murder?

A Tine to Live, a Tine to Die
It's harvest time in Westbury, Massachusetts, and novice farmer Cameron Flaherty hopes to make a killing selling organic produce. A colorful Locavore Club belongs to Cam's farm-share program. But when a killer strikes on her property, her first foray into the world of organic farming yields a bumper crop of locally sourced murder.

To clear her name, Cam has to dig up secrets buried deep beneath the soil of Produce Plus Plus Farm. And when the police don't make progress in the case, she has to catch a murderer whose motto seems to be, “Eat Local. Kill Local.”

Sunday, June 2, 2013

CRAFTS WITH ANASTASIA--"DAD" CROSS STITCH



Father’s Day is coming up. If your dad loves to fish, why not cross stitch him this design? The piece is 33 stitches wide x 34 stitches high, 2-1/4”w x 2-3/8”h when stitched on 14-ct. fabric. It will look great mounted on the lid of a small box. Or use waste canvas and stitch it on a placket shirt or hoodie.

Directions:
Following the Color Key, cross stitch design the design with two strands floss. Backstitch and French knot with one strand black floss (310.)