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Showing posts with label Native American crafts. Show all posts
Showing posts with label Native American crafts. Show all posts

Thursday, January 21, 2021

#CRAFTS WITH ANASTASIA--AUTHOR PATY JAGER'S NEWEST NATIVE AMERICAN MYSTERY FEATURES BEADWORK, FLUTES & A POWWOW

Paty Jager is the award-winning author of the Shandra Higheagle and Gabriel Hawke Mystery series. All her work has Western or Native American elements in them along with hints of humor and engaging characters.Paty and her husband raise alfalfa hay in rural eastern Oregon. Riding horses and battling rattlesnakes, she not only writes the western lifestyle, she lives it. Learn more about Paty and her books at her website. 

Beads and Flutes

My favorite part of writing a book is getting to research topics that I’m interested in, and sometimes I learn new things that I find interesting.  The newest release in my Shandra Higheagle Mystery series is set at a powwow. 

 

I attended a powwow about six years ago. It was a kaleidoscope of color, interesting music, and unique vendors. The atmosphere is one of rejoicing and roots. While this book is set at a different powwow. and I had help from my friend Carmen Peone, who lives on the reservation where I set my story. I hope the reader gets a good sense of what the event is all about. 

 

While doing my research, from both my attending a powwow and gathering information about the one where my story is set, I was intrigued by the various vendors who set up booths and sell either products they themselves make or products to help make regalia (the clothing worn during the powwow dancing), jewelry, leather, feathers, sage, beads, and other items. There are also t-shirt booths and kitsch items. 

 

From the moment this story came to me, I wanted the victim to be a woman who did beadwork. I wanted her strangled with one of her own necklaces. Not because the woman deserved it, but because it was a symbol for the person who did the killing.  

 

I’ve done very little crafting with beads and found it interesting to watch beading videos, look up beading terms, and even the types of beads used by Native Americans. 

 

Before glass and metal beads were introduced from Europe, beads were hand carved from bone, shell, copper, and stone. These days the tiny glass seed beads are what are used in the beadwork that can at times tell a story.

 

This beadwork shown above is by my friend Carmen Peone to depict a horse in her True to Heart Trilogy.

 

Jingle cones are metal cones that are sewn on dresses in a pattern so they will knock together as the Jingle Dancer moves. This is a distinctive noise made by the Jingle Dancer. The sound is like sleigh bells.

 

When I started writing books with Native American characters ten years ago, I began listening to Native American flute and drum music. I love the flutes. Their ethereal tone and the journey they take me on while listening to the music made that another booth I put in my story. The character makes authentic flutes from elderberry wood. There is nothing more relaxing to me than listening to Native American flute music. 

The first legend of the flute as told by deceased Lakota Elder, Phillip Brown Bear (Phil Lane) can be found on the Wind Dancer Flutes website. This is a website where you can purchase handmade flutes or CDs by Roger McGee. Roger’s CDs are part of the music I listen to when I write. The photo is of one of his flutes.

 

Vanishing Dream

A Shandra Higheagle Mystery, Book 16

 

Deceit, Gluttony, Murder

 

Shandra Higheagle Greer’s deceased Nez Perce grandmother appears in her dream, dancing at a powwow. Since Grandmother only appears when there is trouble, Shandra believes, she, Ryan, and the twins should attend the yearly Powwow at the Colville Reservation. 

 

While out for a walk the first night, Shandra sees someone lurking in the dark between the vendor tents. The following morning a vendor is discovered strangled with her own beads. 

 

When members of Shandra’s family are attacked, she finds it hard to stay out of the investigation. Following a suspect, she’s captured. No one knows her whereabouts. Trying to call upon her grandmother to come to her aid, Shandra realizes the dreams are vanishing and fears so could her life. 


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Sunday, December 13, 2015

#CRAFTS WITH ANASTASIA--NATIVE AMERICAN BASKET WEAVING WITH GUEST AUTHOR MARILYN MEREDITH


Marilyn Meredith lives in the foothills of the Southern Sierra, about 1000 feet lower than Tempe Crabtree’s Bear Creek, but much resembles the fictional town and surroundings. She has nearly 40 books published, mostly mysteries. Learn more about Marilyn and her books at her website and blog.  

The Tule River Indians

My heroine in my Deputy Tempe Crabtree mystery series is a Yokut Indian like those who live on the Tule River Indian Reservation. The reservation in my mysteries is the fictional Bear Creek Reservation, but it shares many similarities with the real reservation.

The Tule River Indian Reservation was established in 1873 and covers nearly 85 square miles of rugged foothill lands of the Southern Sierra Nevada. The reservation is located in a remote are approximately 20 miles from the town of Porterville and can be reached by two very winding paved roads that follow the Tule River. It is isolated in a narrow valley.

The Eagle Mountain Casino, though small, has changed the reservation in many good ways, providing jobs and the ability to build a new fire station and other public buildings that serve the community. The tribe also owns 40 acres in the Porterville Airport Industrial Park where they run several businesses. On Highway 190, they own 79 acres in the foothills and have a large gas station and convenience store called Eagle Feather, as well as a large garage where they fix buses. On the way to the coast, they have another gas station/convenience store, Eagle Feather Two.

In the early days, basket weaving was a necessity of daily life for the Tule River Indians. Baskets were used for cooking, gathering, storing and food preservation.

There are four most common types of basket weaving: coiled, plaiting, twining and wicker. Each method used different materials, depending on the flexibility, durability, and what the basket will be used for.

Various materials are used for basket weaving--native grasses, twigs, pine needles, tule, chaparral yucca, willow and red bud.

Deergrass was once a native grass that flourished in the Central Valley. Its use in basket weaving was important because it was flexible, long, and had the ability to become “watertight as the stalks began expanding.” This made it desirable for holding water, and for cooking. Another material commonly used in basket weaving was the tule plant. There are many tule species used in basket weaving. Rhizomes, also called “black root,” are dyed black and used to create designs on the baskets.
Grasses are often combined with sourberry sticks and used to weave water bottles. Yucca leaves are often split and used as a weaving material. The coyote willow was the most common material used in basket weaving. California red bud is used to create beautiful designs woven into the baskets.

Basket weaving nearly died out, but has been revived.

Neither Tempe nor I know how to weave baskets, but I’ve seen many beautiful baskets made by Native women on the reservation.

Not As It Seems
The latest Deputy Tempe Crabtree mystery is set far from the Bear Creek/Tule River Reservation when Tempe and her husband go to Morro Bay to attend their son’s wedding. The maid of honor is missing and Tempe sets out to find her, which takes her on a trail that includes spirit visitations from the Salinan and Chumash Indians.


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Sunday, August 24, 2014

CRAFTS WITH ANASTASIA--DREAM CATCHERS WITH GUEST AUTHOR PATY JAGER

Paty Jager is an award winning author who has been a member of RWA, EPPIE, COWG, and EOWG. She’s taught workshops at local and national level writer’s conferences and online. Her seventeen published novels, two anthologies, and five novellas have Western or Native American elements in them, along with hints of humor and engaging characters. Her penchant for research takes her on side trips that eventually turn into yet another story. Today Paty joins us to talk about Dream Catchers. Learn more about her and her books at her blog and website.

Native American Dream Catchers
How many of you have shot up out of bed after a bad dream and wished you’d never had that dream? I think many of us can raise our hands at that.

The Native Americans have a craft they make that is believed to catch bad dreams and only filter good dreams down to the sleeping person. This spiritual sieve or strainer is surrounded by the hoop. Several of the North American tribes believe the hoop or circle symbolizes strength and unity. The best material for this hoop is a willow twig or any other flexible twig that can be bent into a circle and dried. Sinew or stringy stalked plants would be used for the weaving of the web. One semi-precious stone is added to each web, because there is only one creator. Or in some tribes it is the spider who is given credit for weaving a web that can catch bad things. And natural feathers found in nature are hung from the circle to allow the good dreams to filter down to the sleeping individual.

Dream Catchers were made by grandparents for newborn children. When they were still in the cradleboards the dream catchers hung above the child to give them pleasant dreams. The dream catchers are to hang and move freely so they may better catch the good and bad dreams. Good dreams slip through the center hole and slide down the feathers, softly dropping onto the sleeping person. The bad dreams are caught in the webbing and dissolve at daybreak.

The tradition of putting a feather in the middle of the dream catcher is to give breath or air, an ingredient essential for life. A baby watching air move the feather on the dream catcher above is entertained and taught how important good air can be. Children’s dream catchers have feathers; adults do not. On a child’s dream catcher an owl feather may be used for a girl. This means wisdom. For a boy an eagle feather, symbolizing courage.

In my trilogy of books set among the Nez Perce Indians, Spirit of the Mountain, Spirit of the Lake, and Spirit of the Sky, I found many interesting bits and pieces of information about the Nez Perce culture and their daily lives that I incorporated into the three books.

I have always been fascinated by dream catchers and thought it would be a fun thing to share with you.

How to Make a Dream Catcher

1. Using 2-6 ft. of soaked willow (or grapevine), carefully bend the vine around to form a circle with a 3”-8” diameter. You decide on the diameter, but traditionally dream catchers are no larger than 8”.

2. Twist the piece you are bending, around the circle you have made to strengthen the vine hoop.

3. Use 4-16 ft. of strong but thin string (the length is determined by the diameter of the hoop.) Knot a loop in one end from which you will hang your dream catcher when it is done.

4. Tie the hanging loop around the top of your dream catcher (or at the weakest point of your hoop.)

5. The dream catcher repeats the same stitch from start to finish. To start, hold the string and place it loosely over the top of the hoop. Move the string around to the back of the hoop (forming a hole) and pull the string back through the hole you just made.

6. Pull each stitch taut but not too tight or it will warp the hoop of the dream catcher and it will not lay flat when it is done.

7. Continue the same stitch for the first round around the hoop of the dream catcher. Space the stitches evenly, about 1-1/2”-2” apart (making 7 to 13 stitches around the hoop.)

8. The last stitch of the first round should be placed about a half inch away from the hanging loop.

9. On the second and subsequent stitching rounds, place the string around the center of each stitch from the previous round (rather than around the hoop.)

10. As you pull each stitch tight, the string from the previous round should bend towards the center of the hoop slightly, forming a diamond shape. You should see the spider web beginning to form.

11. On the third or fourth round add a bead to represent the spider or creator in the web. Simply place the bead on your string and continue stitching as usual.

12. Continue stitching towards the center of the hoop. Eventually, the stitches become so small that it is difficult to pass the string through. Make sure you leave a hole in the center of the dream catcher.

13. Stop stitching at the bottom of the hole in the center of the dream catcher. End by stitching twice in the same place, forming a knot, and pull tight.

14. You should have 6”-8” of string to tie 2 or 3 feathers which dangle from the center of the dream catcher. Tie on 2 or 3 feathers and knot.

15. Wrap a 1” square of felt around the knot of string and over the base of the feathers. Tie two 4” pieces of string around the wrapped felt. (Your dream catcher is now complete)

These are the websites I used while researching this topic.
http://www.american-native-art.com/publication/dreamcatcher.shtml

Spirit of the Mountain
Evil spirits, star-crossed lovers, and duty…which will prevail?

Wren, the daughter of a Nimiipuu chief, loves the mountain and her people—the Lake Nimmipuu.  When a warrior from the enemy Blackleg tribe asks for her hand in marriage to bring peace between the tribes, she knows it is how she must fulfill her vision quest. But she is torn between duty and her breaking heart.

Himiin, as spirit of the mountain, watches over all the creatures on his mountain, including the Nimiipuu. When Wren shows no fear of him as a white wolf, he listens to her secret fears and loses his heart to the mortal maiden. Respecting her people’s beliefs, he must watch her leave the mountain with the Blackleg warrior.

When an evil spirit threatens Wren’s life, Himiin rushes to save her. But to leave the mountain means he’ll turn to smoke…

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