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Showing posts with label antique quilts. Show all posts
Showing posts with label antique quilts. Show all posts

Sunday, June 23, 2019

#CRAFTS WITH ANASTASIA--ANTIQUE APPLIQUÉ QUILTS

Bunches of Grapes Antique Appliquéd Quilt, The Boston Museum
The Art of the Appliquéd Quilt

The word appliqué is derived from the Latin “applicare”, meaning to join or attach, and the French “appliquer”, meaning to put on. It’s thought that the art of appliqué was first invented in India and Persia, then traveled to Europe where it was used as a less labor-intensive substitute for raised embroidery in the decoration of household linens, vestments, and altar cloths.  

Appliqué, often described as painting in fabric, is the fancy ornamental sister of patchwork. Whereas patchwork quilting is made by sewing many small geometric pieces of fabric together to form one large piece, appliquéd quilts are made from cutting out fabric shapes and sewing them onto a large piece of fabric. The background fabric is often white, and the appliqués are sometimes stuffed with padding to create a more three-dimensional look.

As in patchwork quilts, the appliquéd quilts of bygone days were often completed by groups of women at quilting bees. The quilting bee was a social gathering for women where they could exchange news and gossip as they stitched. It often ended in the evening with the arrival of the men and children for a special supper party.

With materials on the frontier scarce, resourceful pioneer women would carefully patch clothing and household items. When these items became beyond repair, the good sections of fabric were cut into small scraps that were pieced together to make new quilts to replace ones that had worn out. These quilts were more utilitarian than decorative, using whatever materials were available.

However, as newfound affluence began to relieve the burden of the early settlers, women found they had both the means to purchase new fabrics and the time to indulge in more creative outlets. The economical patchwork quilt made way for the more time-consuming and intricate appliquéd quilt.

At the same time a new middle class was emerging in Great Britain. By the 1800s appliquéd quilts had become quite popular in both England and America. By the Victorian era friendship quilts, freedom quilts, autograph quilts, and friendship medleys became popular forms of commemorating friendships and events, such as marriages and births.

Unlike functional quilts that were created to provide warmth and used until they wore out, friendship and autograph quilts were not used on a daily basis. They were carefully stored and only taken out to display on special occasions. For this reason, many have survived, having been passed down from one generation to the next. Some are still treasured by descendants. Others can now be found in many museums.

Sunday, April 2, 2017

#CRAFTS WITH ANASTASIA--GUEST AUTHOR LEA WAIT ON ANTIQUE EMBROIDERY

USA Today bestselling author Lea Wait lives in Maine, where she writes the (so far) 5-book Mainely Needlepoint mystery series and the 8-book Shadows Antique Print series, as well as historical novels for young people. Learn more about Lea and her books at her website where you can find links to a free prequels of her books.

Old Embroidery That Tells Stories
Growing up as a fourth generation antique dealer, and then as a dealer myself for 35+ years, I sometimes saw embroideries that had been treasured not only as decorative works of art, but as illustrations of family stories.

For example, some samplers didn’t just have a verse and several alphabets. Some preserved family records. The stitchers embroidered names of their family on trees or more often (considering the 10-18 children I’ve seen listed), included names and birth (and sometimes death) dates and bordered the names with embroidered flowers.

Mourning embroideries usually picture a tomb shaded by one or more weeping willows, and several people (usually identifiable as family members) grieving next to the tomb, which is engraved with one or more names.

But not all “story” embroideries were sad. Patchwork memory quilts were sometimes given to new mothers, new brides, or young women heading west. Organized by friends of the recipient, the patches were often from garments that had been worn by the stitcher, who also embroidered the patch before the quilt was assembled, often at a quilting bee. Some simple quilts had patches embroidered with the names of those giving it, perhaps women in a church group, or young women who’d gone to school together.

(As a side note, today, at least in Maine, a popular library fundraiser is to cut quilt pieces and send them to authors, who sign and return them. The names are then embroidered over by volunteers, the quilt assembled, and then auctioned off.)

One of the most beautiful quilts I’ve ever seen was pieced with velvets and silks, and each piece was embroidered by a different person. The skill of the embroiderers varied considerably. I’d guess that some were very young, while others were very accomplished. Although we’ll never know what the exact message of the quilt was, an educated guess was that it was given to a new bride who was leaving the town where she grew up – probably a seaport.
 
The embroideries of the patches appeared to be memories that the recipient could take with her. A clipper ship. Strawberries. Holly. A pine tree. A dog. A cat. A house. Daffodils. Queen Anne’s Lace. A cardinal. A chickadee. A music note.
  
The quilt pictured has embroidery on the patches … and the embroidery linking the patches is designed to look like seaweed. (Collecting and preserving seaweed was a popular Victorian pastime for young women. But that’s another subject!)

Another memory quilt I’ve seen was made from the clothing of a union soldier who’d served in the Civil War, and the flag he’d carried. Embroideries on it included his dates of service, the battles he’d fought in, his unit, and the states he’d traveled to. It was pieced and embroidered by his wife, who wrote an explanation for the patches, which was saved with the quilt.

Unfortunately, not all quilts have legends.

But perhaps, the stories we made up about them are almost as interesting.

Tightening the Threads, A Mainely Needlepoint Mystery
I
n the coastal town of Haven Harbor, blood runs thicker than water—and just as freely…

Antique dealer Sarah Byrne has never unspooled the truth about her past to anyone—not even friend and fellow Mainely Needlepointer Angie Curtis. But the enigmatic Aussie finally has the one thing she’s searched for all her life—family. And now she and long-lost half-brother, Ted Lawrence, a wealthy old artist and gallery owner in town, are ready to reveal their secret connection…

Ted’s adult children are suspicious of their newfound aunt Sarah—especially after Ted, in declining health, announces plans to leave her his museum-worthy heirloom paintings. So when Ted is poisoned to death during a lobster bake, everyone assumes she’s guilty. If Sarah and Angie can’t track down the real murderer in time, Sarah’s bound to learn how delicate—and deadly—family dynamics can truly be…

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