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Showing posts with label bead craft. Show all posts
Showing posts with label bead craft. Show all posts

Wednesday, August 23, 2017

#FASHION--WHAT THE WELL-DRESSED TRUCK TIRE IS WEARING THIS YEAR


Bedazzled, Canadian Style
By Lois Winston

It’s said that beauty is in the eye of the beholder. I believe the same can be said for art. As someone who majored in art and design in college, I’ve viewed exhibits that included everything from the Mona Lisa to a mound of dirt piled on shattered mirrors. (Seriously. I first came across a series of these in a gallery in Manhattan many years ago, but you can find one of them in the permanent collection at the Philadelphia Museum of Art.)

I appreciate creativity in all forms, but I’ve often wondered, is there a difference between creativity and art? I’ve come to the conclusion the answer is up to the viewer and the gallery or museum curator.

My husband and I recently returned from a vacation in Montreal and Quebec City. Both cities are filled with outdoor artworks. One sculpture, in particular, caught my eye outside the Montreal Museum of Fine Arts. The artist (I couldn’t find a plaque listing the sculptor’s name) had bedazzled an assortment of truck tires.

Now, bedazzling is a fun craft, especially for teens who love to bedazzle everything from their jeans and sneakers to their cell phone cases. I’ve seen all sorts of items that have been bedazzled, including certain body parts, which I even wrote about in Decoupage Can Be Deadly. But truck tires? That was a first for me!

Is it art, or is it craft? Obviously in Montreal the Museum of Fine Arts has deemed it art. What do you think?

Decoupage Can Be Deadly, An Anastasia Pollack Crafting Mystery

Anastasia and her fellow American Woman editors are steaming mad when minutes before the opening of a consumer show, they discover half their booth usurped by Bling!, their publisher’s newest magazine. CEO Alfred Gruenwald is sporting new arm candy—rapper-turned-entrepreneur and Bling! executive editor, the first-name-only Philomena. During the consumer show, Gruenwald’s wife serves Philomena with an alienation of affection lawsuit, but Philomena doesn’t live long enough to make an appearance in court. She’s found dead days later, stuffed in the shipping case that held Anastasia’s decoupage crafts. When Gruenwald makes cash-strapped Anastasia an offer she can’t refuse, she wonders, does he really want to find Philomena’s killer or is he harboring a hidden agenda?

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Sunday, October 11, 2015

#CRAFTS WITH ANASTASIA--BEADING WITH GUEST AUTHOR ELLEN BYRON

Ellen Byron’s TV credits include Wings and Just Shoot Me. She’s written over 200 magazine articles, and her published plays include the award-winning Graceland. Today she joins us to talk about her passion for beading. Learn more about Ellen and her book at her website. 

Make a Necklace with Ellen Byron

Branding is the buzzword of the decade. With that in mind, I decided to create a signature color palette themed to my Cajun Country series that I’d wear to book signings and conferences. Since the series is set in Louisiana, I went with the Mardi Gras scheme of purple, green, and gold. Amassing a wardrobe in those hues hasn’t been a problem. But coming up with accessories has. So I decided to make necklaces that would compliment my outfits.

I got into making jewelry a few years ago, so I already had the basic tools: jewelry pliers, wire cutters, and wire. I bought crimping beads at Michael’s.
I have a collection of glass and crystal beads, but I expanded it through shopping at local bead shops, online stores, and craft shops. I also found old necklaces that I took apart so I could repurpose the beads.

Step one: I searched Ebay for “vintage pins purple gold green” or “mardi gras pins.” I ended up buying about five in several necklaces I assembled styles. Here are four, but I’ll guide you through my process using another pin.
 
Step two: I cut a length of wire about six inches longer than I’d need for the length of the necklace. That leaves about three inches on each end to attach a clasp. (NOTE: For this example, I only used one long wire because the brooch’s clasp I attached it to was vertical. If the clasp is horizontal, I cut two pieces of wire and attach one to each end of the clasp. NOTE #2: If the brooch is heavy, go with a heavier gauge of wire.)

Step three: I loop the wire around the top of the brooch clasp, making sure it’s even on both sides. I then slip on one or two crimping beads, push them down as close to the brooch clasp as possible, and squeeze the beads with the pliers to secure the wire in place. NOTE: This vintage alligator brooch had a loose clasp, so I also placed a dollop of strong craft glue over the clasp’s opening.

 

Step four: The fun part! I play with different bead combinations to see which best compliments the brooch I’m working with. Since this brooch is a bit heavy, I primarily used smaller crystal beads. If your necklace is too heavy, it won’t be comfortable and you increase the chance of it breaking. NOTE: I picked up the bead tray for fifty cents at a thrift store. I don’t use the measurements, but it’s a great surface to work on. But it’s totally optional.

If my combination is complicated, I write it down on a “cheat sheet.” You want both sides to match up. So if you make a mistake and don’t want to re-string your wire, just make sure you match the other side to the pattern. If you look closely at my finished necklace, you’ll see that I messed up once and instead of two green beads, I did one. When I realized this, rather than re-string an entire side, I simply copied the “mistake” on the opposite wire. That way, the patterns on both sides still match up.

Step five: Time to attach the two halves of the clasp to finish the necklace. First, I string two crimping beads onto one end of a wire, and then I add the clasp. (I prefer a lobster claw clasp, which I’ll always attach to the left wire because I’m a lefty.) I loop the wire through the crimping beads, leaving enough of a loop to allow the clasp to hang loose, but not so much that the loop is huge. (I also leave about a half inch of wire below the clasp so that the beads have a bit of room, although you can’t tell from the pictures below.) I repeat the process with the other half of the clasp on the opposite wire. I twist the excess wire around the wire below the crimping beads once or twice for extra hold, and then trim off whatever’s left.

 

The finished product is the photo at the beginning of this post.

I’ve laid out very detailed instructions, but making one of these necklaces is a lot of fun and really not that hard. My biggest dilemma now is how to stop myself from making more of them!

P.S. See if you can spot where I goofed up the pattern of purple/gold/green/gold/green/gold. Instead, I beaded purple/gold/green/gold/purple, missing a green bead. Hint: it’s about a third of the way up from the alligator.

Plantation Shudders

Maggie Crozat, a feisty artist in her early thirties, moves back to eccentric Pelican, Louisiana, after a decade in New York to work at her family’s historic plantation-turned-B&B.  The family business is in peril after an obnoxious eighty-something couple staying at the B&B on their honeymoon – yes, their honeymoon – mysteriously drops dead within minutes of each other.  The Pelican Chief of Police carries a longstanding grudge against the Crozats, and Maggie can’t trust the sexy new detective in town because he happens to be the Chief’s cousin. So Maggie is forced to become an amateur sleuth, aided by her accordion-playing best friend Gaynell, her cross-dressing pal JJ, and her cocktail-loving Grandmere.

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Sunday, June 7, 2015

#CRAFTS WITH ANASTASIA--GUEST CRAFTER AND ROMANCE AUTHOR CHERI ALLAN

Cheri Allan is the Amazon Romantic Comedy bestselling author of hopeful, humorous contemporary romances. She's a firm believer in do-it-yourself, new beginnings and happily-ever-afters, so after years of wearing suits, she's grateful to finally put her English degree to good use writing romance. Learn more about Cheri and her books at her website

Okay, fess up. Who here has a ‘crafts closet?’ <raises hand>  I knew when I found Lois’ blog, that I’d found kindred spirits, because I’ve been a crafter my whole life (ever since those macaroni Christmas ornaments, you know what I’m talking about.) Today, I’m sharing with you a craft that I started with my very first novel: book cover necklaces! These have been a great way to celebrate the impending release of each novel as well as to motivate me to write the next one. If you’re not an author, never fear. These would work equally well with a favorite photo.

First, I purchase photo frame charms (I get mine on eBay) which come in a wide variety of shapes and sizes, then I take images of my book covers to Staples and have them printed on photo paper. Then the fun begins! After cutting and gluing the image into the frame, I start collecting beads that complement the colors in the image and play around with design. You’ll note that most of mine have either a dropped center portion (formed by putting both ends of the same wire through a few beads before splitting them up for each side of the necklace) or a double-stranded center (I use two wires strung in parallel--beaded separately and then together--for that style). This is because the photo frames can be heavier than a standard charm or focal bead, and I found that without doing that, the necklaces hung in a sharp vee which wasn’t as pleasing to the eye.

I tend to wing it when beading, letting the image and the beads tell me how long the necklace should be and whether it all works. And, just like in writing, there are times I get to ‘the end’ and realize it’s NOT working… and tear it all out to start over. Ultimately, I’ve got a little wearable keepsake that’s a great conversation starter!

My newest release, All or Nothing, is about the aftermath of a reality dating show… because I’m a crafter AND a reality dating show junkie. But you’d never catch me on a reality show.  Then the world would see the sorry state of my crafts closet. ;)

All or Nothing, Betting on Romance Book 3
When finding Mrs. Right goes, oh, so wrong…
Self-made tech millionaire Ian McIntyre has suffered through a reality dating show only to return home to idyllic Sugar Falls, New Hampshire, empty-handed, swarmed by paparazzi, and hounded by a Hollywood producer determined to deliver a Happily Ever After. But then his home is invaded by a sexy, snarky local staging it for the season finale, and Ian finds himself more interested in the cute and scrappy hometown girl dusting off his action figures than the audience’s favorite southern belle.

Auto mechanic Bailey Adams grew up on the wrong side of the tracks and is struggling to patch together enough odd jobs to buy a garage of her own. When the Golden Boy of Sugar Falls entangles her in his disastrous season of Happily Ever After, they both discover that some long-held dreams are only as ‘real’ as ‘reality’ TV.  Now, with the deal on her dream garage in jeopardy and her unlikely love affair with America’s favorite geeky hunk playing out on national TV, Bailey must decide if she’s willing to risk it all for love… or be left with nothing.

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Sunday, March 24, 2013

CRAFTS WITH ANASTASIA - BEADED TRINKET BOX


Craft this beaded box as an Easter gift for a young girl, get a jump on a Mother’s Day gift, or treat yourself to this cute box for storing tiny treasures. The sample was made with a 2-3/4” x 4-3/4” box, but you can choose any size, depending on what you want to store in it. I went with a basically monochromatic palette with a few pops of color, but this box would also look great in a combination of pastel colors or even rainbow hues. -- AP

Beaded Trinket Box
Materials:
Papier maché box, primer, acrylic paint in your choice of color, foam brush, piece of scrap paper at least the size of the lid dimension, pencil, assorted decorative buttons and glass seed beads in your choice of color(s), jewelry glue, fabric glue, ribbon and decorative trims

1. Trace the lid onto the scrap paper.

2. Prime the box and lid. Allow to dry.

3. Paint the box in your choice of color, applying two coats. Allow to dry between coats.

4. While paint is drying, arrange the buttons on the template you’ve drawn on the paper. Play around with the buttons until you have a pleasing assemblage.

5. Using fabric glue, glue ribbon or lace trim around edge of lid.

6. Apply liberal layer of jewelry glue to top of lid. Place buttons one by one on the lid, following the template you’ve created. Sprinkle seed beads over the lid to fill in areas between buttons. Allow glue to dry for several hours before moving the lid.