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Showing posts with label Montreal Museum of Fine Arts. Show all posts
Showing posts with label Montreal Museum of Fine Arts. Show all posts

Wednesday, September 6, 2017

#FASHION--AN EXHIBIT OF WEDDING GOWNS

Two weeks ago I talked about an interesting sculpture I recently came across in front of one of the buildings at the Montreal Museum of Fine Arts. Today I’d like to tell you about one of the exhibits inside the museum. Love is Love is an exhibit of wedding gowns by French fashion designer Jean Paul Gaultier. You may not be familiar with Gaultier, but you probably know some of his work. He’s the guy who created that famous—or was it infamous?—conical bra for Madonna.
This exhibit is a bit gender-bending; the title references the 2015 legalization of gay marriage in the U.S. Some might feel uncomfortable with that, but truthfully, it wasn’t until I started reading about the exhibit afterwards that I became aware of the political nature of the collection. For me it was all about the beauty of each garment.
The gowns, thirty-six in all, were created over the last twenty-six years. As someone who has spent many years designing needlework, I was totally blown away by this exhibit. The lace! The beadwork! The crystals! The bling! Wow! One was more stunning than the next. This is haute couture at its haute-iest.
The centerpiece of the show is a “cake” of mannequins, three with computer-animated faces projected onto them. They speak at regular intervals. One is of Gaultier himself, greeting the public as they enter the exhibit.
The room is drenched in light, something you usually don’t experience in museums because over time, constant exposure to light will fade and damage fabrics and paintings. The brightness of the room enables viewers to really see the fine detail and workmanship in each garment. The dresses in the exhibit were created for a few minutes exposure on a fashion catwalk, but each took as many as nearly 500 hours to create.
The exhibit runs through Oct. 9th. If you happen to find yourself in Montreal, you should make a point of seeing it. My photos don’t come close to capturing the true beauty of the dresses.

Wednesday, August 23, 2017

#FASHION--WHAT THE WELL-DRESSED TRUCK TIRE IS WEARING THIS YEAR


Bedazzled, Canadian Style
By Lois Winston

It’s said that beauty is in the eye of the beholder. I believe the same can be said for art. As someone who majored in art and design in college, I’ve viewed exhibits that included everything from the Mona Lisa to a mound of dirt piled on shattered mirrors. (Seriously. I first came across a series of these in a gallery in Manhattan many years ago, but you can find one of them in the permanent collection at the Philadelphia Museum of Art.)

I appreciate creativity in all forms, but I’ve often wondered, is there a difference between creativity and art? I’ve come to the conclusion the answer is up to the viewer and the gallery or museum curator.

My husband and I recently returned from a vacation in Montreal and Quebec City. Both cities are filled with outdoor artworks. One sculpture, in particular, caught my eye outside the Montreal Museum of Fine Arts. The artist (I couldn’t find a plaque listing the sculptor’s name) had bedazzled an assortment of truck tires.

Now, bedazzling is a fun craft, especially for teens who love to bedazzle everything from their jeans and sneakers to their cell phone cases. I’ve seen all sorts of items that have been bedazzled, including certain body parts, which I even wrote about in Decoupage Can Be Deadly. But truck tires? That was a first for me!

Is it art, or is it craft? Obviously in Montreal the Museum of Fine Arts has deemed it art. What do you think?

Decoupage Can Be Deadly, An Anastasia Pollack Crafting Mystery

Anastasia and her fellow American Woman editors are steaming mad when minutes before the opening of a consumer show, they discover half their booth usurped by Bling!, their publisher’s newest magazine. CEO Alfred Gruenwald is sporting new arm candy—rapper-turned-entrepreneur and Bling! executive editor, the first-name-only Philomena. During the consumer show, Gruenwald’s wife serves Philomena with an alienation of affection lawsuit, but Philomena doesn’t live long enough to make an appearance in court. She’s found dead days later, stuffed in the shipping case that held Anastasia’s decoupage crafts. When Gruenwald makes cash-strapped Anastasia an offer she can’t refuse, she wonders, does he really want to find Philomena’s killer or is he harboring a hidden agenda?

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