Eric Mayer
and Mary Reed published several short stories about John, Lord Chamberlain to
Emperor Justinian, before John's first novel length adventure appeared in 1999.
The American Library Association’s Booklist Magazine named the novels one its
four Best Little Known Series. Murder in Megara is the eleventh entry in the
series, appearing in October 2015. Learn more about Eric and Mary at their
website.
Doubtless many readers will recall childhood
fun making mosaics from fragments of painted eggshells, and a messy business it
was too!
The Romans were masters of the essentially
similar but vastly larger enterprise of creating beautiful floors made of
pebbles, stone, and marble pieces, often framing intricate patterned borders
around abstract designs or those featuring mythological and other figures. But
the highest point of the mosaicists' art must surely be wall mosaics, created
from thousands of small cubes of glass and other materials. At their glorious
height in the Byzantine world, these mosaics dazzled worshippers in churches,
Ravenna and Constantinople in particular, whose mosaics were and are world
famous for their beauty and the amazing way tesserae are used to depict subtly
graduated colors of garments, buildings, and artifacts, as well as details of
facial features.
Our historical mystery series is devoted to
the adventures of John, Lord Chamberlain to Emperor Justinian I, in and round
the imperial court in Constantinople -- although we have sent him to Egypt to
look into the matter of the suicidal sheep and in Murder In Megara he is tasked with solving the murder of which he
is accused. All of the covers for these books are illustrated with mosaics.
We introduced the mosaicist Figulus in Seven For A Secret. His artistic hand
had, however, been seen in the series right from the beginning entry, One For Sorrow, as it is revealed in Seven For A Secret he created the mosaic
in John's study. By daylight it depicts a bucolic landscape in which a young
girl stands near two boys playing knucklebones, but flickering lamplight
reveals a debauched heaven peopled by Roman gods and goddesses.
John calls this little girl Zoe and often has
conversations with her, much to the horror of his elderly servant Peter, who is
further scandalized by the revelations lamplight produces.
As a family man and devout Christian, Figulus
detests making the vile mosaics popular among certain of the rich, but
undertakes them in order not only to feed and house his wife and children but
also to finance his ambitious project in the course of creation in a sub
basement, shown to John and his friend Anatolius.
The project is nothing less than a mosaic
history of the world beginning with the formless void, moving on to the
expulsion from Eden, and continuing from there. As Figulus explains
"...tesserae are expensive. I could not afford this except for those evil
pictures. It is a torment to me to make them. But I am not responsible for the
lusts and sinfulness of other men and here their vices are transmuted into a
tribute to God's glory."
As for the way the scene in John's study
mosaic changes when seen by lamplight, Figulus reveals he discovered the method
and it is accomplished by cutting tesserae to certain angles and painting one
side of them.
Tesserae, the miniature building blocks of
wall mosaics, were manufactured from glass of various colors and shadings,
although marble tesserae and the use of semi-precious gems was not unknown.
Shimmering gold backgrounds were made by affixing thinly beaten gold leaf to a
sheet of glass and then covering the gold with a thin layer of glass, in effect
making a gold leaf sandwich, cutting up the sheet into cubes to use as
tesserae.
The process of creating a mosaic began by
spreading a small area of fine plaster over a wall whose roughened plaster had
hardened, setting tesserae into the wet second layer as it dried. Naturally
this meant only a small amount of laborious work could be accomplished at each
session, and some days were not suitable because it was too hot or too cold for
the painstaking process to be completed successfully. Guidelines for the scene
were lightly painted on, and it has been suggested stencils may also have been
used.
The effect of weather on his work was used by
Figulus as he constantly attempted to avoid working again on the completed
study mosaic, commissioned by the previous owner of John's house. Finally, the
former owner refused to believe Figulus when he said winter was not the best
time for the work in that the plaster might not set correctly. So the mosaicist
was forced to amend the mosaic -- by adding a portrait of the owner's little
girl.
Figulus did however manage to protect her
innocence in a fashion only he as a mosaicist could have done. How? Well,
you'll have to read Seven For A Secret to find out!
photo caption: Mosaic of
the Emperor Justinian from the Basiilica of San Vitale.
Murder In
Megara
John, former Lord Chamberlain to Emperor
Justinian, has been exiled from Constantinople to a rustic estate John has
long-owned in Greece, not far from where he grew up. But exile proves no escape
from mystery and mayhem. The residents of nearby Megara make it plain John and
his family are unwelcome intruders. His overseer proves corrupt. What of the
other staff—and his neighbors?
Before long, John finds himself accused of
blasphemy and murder. Now a powerless outsider, he’s on his own, investigating
and annoyingly hampered by the ruthless and antagonistic City Defender who
serves Megara as both law enforcer and judge. Plus there’s that corrupt estate
overseer, a shady pig farmer, a servant’s unwelcome suitor, a wealthy merchant
who spends part of his time as a cave-dwelling hermit, and the criminals and
cutthroats populating such a seedy port as Megara.
Complicating matters
further are two childhood friends whose lives have taken very different paths,
plus the stepfather John hated. John realizes that in Megara, the solution to
murder does not lie in the dark alleys where previous investigations have taken
him, but in a far more dangerous place—his own past. Can he find his way out of
the labyrinth of lies and danger into which he has been thrust before disaster
strikes and exile turns into execution?
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2 comments:
Thanks for giving us space to talk about mosaics, Lois. Appreciate your interest -- and now to hardboil some eggs and have a go at the sort we made with children 8-}
An awesome and interesting post. Thanks!
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