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Showing posts with label book settings. Show all posts
Showing posts with label book settings. Show all posts

Tuesday, October 23, 2018

ANASTASIA'S HOME SWEET HOME

Anastasia's House
We’ve all heard the expression, “A picture is worth a thousand words.” Authors paint a picture in readers’ minds when they describe the physical attributes of the characters and settings in their books. But most likely no two readers will picture the character or setting the exact same way the author pictures them in her own mind. Think about movies you’ve seen that were based on books you’ve read. How often have you thought that the actor portraying the character doesn’t look anything like the image you’ve had of that character in your head?
Floor Plan
So recently my author, Lois Winston, thought readers might like to see exactly what my mid-century rancher in suburban New Jersey really looks like. Lois didn’t base my home on any real house. She conjured it up in her head. So no photographs exist. Luckily, though, her husband, both an architect and engineer, is proficient in CAD and was able to create images based on Lois’s vision. By the way, don’t ask me what CAD stands for; I just know it’s used to draw up architectural drawings and floor plans.

And in case you’re interested in what I really look like, think Tina Fey. The cool thing is, Publishers Weekly once said I was as “deadpan droll as Tina Fey’s Liz Lemon” in their starred review of Assault With a DeadlyGlue Gun. Little did they realize at the time I’m also her doppelganger—minus the hairy man-arms Photo-shopped on the cover of her book!


Check out the latest trouble Lois has gotten me into in Drop Dead Ornaments, available now. 

Drop Dead Ornaments
An Anastasia Pollack Crafting Mystery, Book 7

Anastasia Pollack’s son Alex is dating Sophie Lambert, the new kid in town. For their community service project, the high school seniors have chosen to raise money for the county food bank. Anastasia taps her craft industry contacts to donate materials for the students to make Christmas ornaments they’ll sell at the town’s annual Holiday Crafts Fair.

At the fair Anastasia meets Sophie’s father, Shane Lambert, who strikes her as a man with secrets. She also notices a woman eavesdropping on their conversation. Later that evening when the woman turns up dead, Sophie’s father is arrested for her murder.

Alex and Sophie beg Anastasia to find the real killer, but Anastasia has had her fill of dead bodies. She’s also not convinced of Shane’s innocence. Besides, she’s promised younger son Nick she’ll stop risking her life. But how can she say no to Alex?

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Wednesday, August 15, 2018

MYSTERY AUTHOR JP DAVID TRANSFORMS NEWPORT BEACH INTO KINGSTON BEACH

Today mystery author JP David stops by to talk about the southern California setting for Double Take, the first book in his planned detective series. Learn more about JP and his writing at his website. 

It’s a seemingly ideal land of Wedgwood blue skies, puffy white clouds, and meticulously groomed beaches. But like the deep tans and blonde hair sported by many of the residents, what’s beneath the surface can be very different. It’s the perfect setting for Double Take, the first of the planned series of detective mysteries featuring Hank Hammond and Lori Reed.

I knew that particular southern California beach setting well because I’d grown up a few miles away, and even worked there for several years. The problem was that in the ensuing years I’d moved all over the country, and had somehow settled in the dry desert of another state. How could I write a novel set in that beach city, when I was now living in a place so different and more than five hundred miles away?

The answer came to me as I thought about one of my favorite authors. In Sue Grafton’s alphabet series, private detective Kinsey Millhone solves crimes in Santa Teresa, a town of the author’s own creation based on the real southern California town of Santa Barbara. I’d read that Sue (is it presumptuous of me to call her Sue? After reading all of her novels, I feel like I know her well enough) took delight in controlling the weather, moving real estate at will, changing the orientation of the streets, and not only being responsible for all the homicides in Santa Teresa, but also for solving all of those crimes. 

I also knew that she was following the lead of Ross Macdonald, another of my favorite authors, who had creatively manipulated Santa Barbara into his fictional town of Santa Teresa. I decided that if it was good enough for two of the greatest authors of detective fiction the world has ever known, it was definitely good enough for me. Plus, it was fun to do!

Suddenly Hank Hammond and Lori Reed, my investigative team of complete opposites, were immersed in Kingston Beach, my manipulated version of Newport Beach. La Cave, a very traditional steakhouse in Costa Mesa transformed itself into the too-trendy Totally Tofu. The Bahia Corinthian Yacht Club became the Captains’ Coast Marina. Most importantly, the J.W. Robinson’s department store (later Robinson May and Macy’s) where I had worked in Newport Beach, became Weisbach-Landers.  

A department store, especially a sprawling, three-story one like Weisbach-Landers, is in many ways like a city unto itself, another perfect setting for a crime. It has numerous neighborhoods (departments), each with its own residents (employees), HOA presidents (department managers), elected representatives (floor managers), and supposedly at the very top is the mayor (store manager). There are traffic problems (crowded escalators), climate issues (“the air conditioning is too damn cold”), health issues (a full service restaurant...don’t even ask!), politics (corporate policies vs. store priorities, trainees jockeying for promotion), and most importantly, crime. And, as Hank knows all too well, crime at Weisbach-Landers can be way more than mere shoplifting. He knows that because he used to be the store’s chief of police (loss prevention manager).

In that capacity, Hank led investigations, supervised a staff of store detectives, and apprehended criminals. After bringing down the biggest drug ring in the history of Kingston Beach—which happened to be operating within the store—Hank quit his job and opened a private detective agency consisting of Hank and, reluctantly, Lori.

In their first case, the disappearance and possible murder of a millionaire's grandson, he and Lori find themselves on a dangerous, but surprisingly humorous, adventure that takes them into an exclusive country club, a posh marina, a Dumpster (Hank only, thank goodness!), and Weisbach-Landers.

Double Take could only take place in the seemingly ideal oceanfront city of Kingston Beach, complete with its mix of wealth, glamour, and miscreants. And only within Weisbach-Landers, where Hank knows all the back alleys, suspicious characters, and dark secrets.

Double Take
ONE DEAD BODY? That's almost expected when you're in the private eye biz. But when a second one pops up in even more bizarre circumstances it's enough to make even Hank Hammond, P.I. do a DOUBLE-TAKE . . .

As the newest private investigator in Kingston Beach, Hank Hammond has all the signs of success that he could possibly ask for: the latest detective gear, a shiny red Corvette, an office within a successful attorney's building, and--most importantly--the professional services of Lori Reed, a brilliant and reluctant partner. 

If only Hank had a client.

Enter a cantankerous millionaire. And enter a collection of murderers, thieves, embezzlers, and other assailants including body-building twins and the local police department, all wanting a piece--or preferably pieces--of Hank.

Combining riveting suspense, quick wit, and relentless energy, J.P. David takes readers on a fast-moving combination of thriller, cozy, and hard-boiled through country clubs, yachts, mansions, and the occasional Dumpster . . . as Hank Hammond and his indispensable investigating partner Lori Reed face escalating danger and a ticking timeline.

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Wednesday, August 8, 2018

VISIT AUTHOR RAEGAN TELLER'S FICTITIOUS TOWN OF MADDEN, SC

Glitter Lake Inn
Raegan Teller is an award-winning mystery author. Her debut novel, Murder in Madden, received Honorable Mention in the 2017 Writer’s Digest Self-Published Book Awards. Her second novel in the series is The Last Sale. Both were inspired by actual cold cases. Learn more about Raegan and her books at her website.

I’m Raegan Teller, mystery author of the Enid Blackwell series. Both Murder in Madden and The Last Sale are set in and around a fictitious town: Madden, South Carolina. It’s about a 30-minute drive from the capitol city of Columbia, at least in my mind.

Why a fictitious setting? As a fiction author, I didn’t want to be constricted by reality. There are a number of small town around me, each of which is charming and quirky in its own way. But none had all of the characteristics I needed. Just as fictional characters are typically a composite of several actual people, Madden is a composite of several small towns in South Carolina: Blythewood, Ridgeway, Camden, Chapin, and Winnsboro. I plucked a thing or two from each.

In my first book, Murder in Madden, some of the pivotal scenes take place at the Glitter Lake Inn, just outside of town. The inn is a century-old mansion, handed down from generation to generation. The current owner plays a key role in the story. When I was writing this book, I had no idea readers would be so attracted to the setting—both Madden and the inn. Yet, when I attend book club meetings to discuss the book, the setting is always a significant and lively part of the discussion. People assume the inn is real, but, sadly, it isn’t. It, too, is a composite of the many wonderful inns we’ve stayed in. I created it to be the perfect place to get away from it all, a place where tea and civility can solve all problems. In doing so, I created a setting that has become a character itself in these books.

 But if you think Murder in Madden and The Last Sale are typical cozies, be forewarned. They are not. By the publishing industry’s definition, a cozy mystery is one where the protagonist is an amateur sleuth. Enid Blackwell is a journalist, so technically my series fits the description. And food and an old inn are featured, both of which are often included in cozies. But that’s where the similarities to the genre end.

I invite you to come to Madden through my stories. But remember—small towns aren’t always what they seem, and family secrets and decade-old lies can have deadly consequences. Like Enid, you may be forced to ask yourself, how much would I risk to learn the truth?

Murder in Madden
Enid Blackwell thinks she has discovered the perfect story to revive her journalism career. Her husband's cousin, Rose Marie Garrett, was brutally murdered 10 years ago in a small town in South Carolina, and the killer was never found.  Everyone in the family seems eager to forget Rosie because of her “bad girl” reputation, but Enid is determined to tell the story of the young girl’s tragic life. But bringing the truth to light may cost Enid more than she bargained for. When Rosie’s killer targets Enid, she knows the only way to save herself is to bring Rosie’s killer to justice. 


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Wednesday, October 25, 2017

GUEST AUTHOR CHRIS PHIPPS ON SETTING

Tower Bridge, Sacramento
Mystery author Chris Phipps writes the Wagner-Callender Mystery Series. Today she joins us to talk about the importance of setting in some of her favorite books and her own. Learn more about her and her books at her website. 

My favorite books are those that are not only well written, but envelop me in their surroundings.

James Lee Burke’s New Orleans is so integral to his stories, it’s almost another character. Every book I read reveals a little more.

After years of following Ian Rankin’s Detective Rebus as he solves crimes, I imagine that I’m so familiar with Edinburgh, that I could find my way around the city. I know I can’t—not really. But he’s made me feel as though I can.

In William Kent Kreuger’s Cork O’Connor series, I see the blue of those deep lakes, feel the cool breeze on my cheeks as the ridges of the great northwest turn orange, gold and red with fall color. I feel the mystique of the Ojibwe and the slow vibe of a small town filled with familiar faces.

Michael Connelly shows me Los Angeles, not through my skeptical eyes, but through the lens of Harry Bosch, who loves the place where he lives and works.

I’m truly pulled into these stories, not just by the characters and the plot, not just in trying to solve the mystery, but by being immersed in the setting and the culture. And those stories wouldn’t work nearly as well in different settings. Cork O’Connor couldn’t function in Los Angeles, and Harry Bosch couldn’t find his away around all those lakes, rivers and streams.

Like most writers, I try to emulate work that I admire. But what can I say about Sacramento, the capitol of California? It’s not a large city, like Los Angeles. But it’s not small, either, like Cork O’Connor’s Aurora. People in larger California cities laughingly call Sacramento “Cowtown” because it has so many small farms, dairies, orchards and vineyards surrounding it. Another term is “Sacratomato, in honor of all the tomato-laden trucks that used to make their way to a local cannery.

So what could I pull into my books to make the setting unique and interesting?

After some thought, I realized those nicknames are hints. After all, how many people can drive just a few miles to go wine tasting? Find roadside vegetable and fruit stands, or a hot apple pie, directly from the adjacent orchard?

Sacramento is unique in other ways, too. It has two rivers–the Sacramento and the American–with the confluence in the old, historic section of town. And under those old buildings is another settlement, the first Sacramento, going back to Gold Rush days. Those rivers create unique configurations of land: “pockets” surrounded on three sides by river.

I thought about the diverse population, culture, and activity. Two hours west will take a driver to San Francisco or Big Sur or the Napa Valley. Two hours east, across the Sierra Nevada, will take him to Lake Tahoe or Reno or Squaw Valley. South will take him to Yosemite in about the same time.

The point is: I had to look at the area I know with new eyes–look at its history, the things that made it different.

What about you? As a reader, do you enjoy books that pull you into the setting? And if you’re a writer, do you look for the uniqueness of your setting and try to integrate it into your story?

Love, Murder and a Good Bottle of Wine
Sarah Wagner’s aunt has been murdered, and the close-minded detective working the case has honed in on Sarah and her cousin as the killers. Neither have alibis, and both have motive. But how do you prove you didn’t commit a murder? As Sarah digs deeper into the mystery, she puts herself at risk. Worse, every move she makes seems to increase the odds that one of the people she loves is the killer.

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