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| Tower Bridge, Sacramento |
Mystery
author Chris Phipps writes the Wagner-Callender Mystery Series. Today she joins
us to talk about the importance of setting in some of her favorite books and
her own. Learn more about her and her books at her website.
My favorite books are those that
are not only well written, but envelop me in their surroundings.
James Lee Burke’s New Orleans is
so integral to his stories, it’s almost another character. Every book I read
reveals a little more.
After years of following Ian
Rankin’s Detective Rebus as he solves crimes, I imagine that I’m so familiar
with Edinburgh, that I could find my way around the city. I know I can’t—not
really. But he’s made me feel as though I can.
In William Kent Kreuger’s Cork
O’Connor series, I see the blue of those deep lakes, feel the cool breeze on my
cheeks as the ridges of the great northwest turn orange, gold and red with fall
color. I feel the mystique of the Ojibwe and the slow vibe of a small town
filled with familiar faces.
Michael Connelly shows me Los
Angeles, not through my skeptical eyes, but through the lens of Harry Bosch,
who loves the place where he lives and works.
I’m truly pulled into these
stories, not just by the characters and the plot, not just in trying to solve
the mystery, but by being immersed in the setting and the culture. And those
stories wouldn’t work nearly as well in different settings. Cork O’Connor
couldn’t function in Los Angeles, and Harry Bosch couldn’t find his away around
all those lakes, rivers and streams.
Like most writers, I try to
emulate work that I admire. But what can I say about Sacramento, the capitol of
California? It’s not a large city, like Los Angeles. But it’s not small,
either, like Cork O’Connor’s Aurora. People in larger California cities
laughingly call Sacramento “Cowtown” because it has so many small farms,
dairies, orchards and vineyards surrounding it. Another term is “Sacratomato,
in honor of all the tomato-laden trucks that used to make their way to a local
cannery.
So what could I pull into my
books to make the setting unique and interesting?
After some thought, I realized
those nicknames are hints. After all, how many people can drive just a few
miles to go wine tasting? Find roadside vegetable and fruit stands, or a hot
apple pie, directly from the adjacent orchard?
Sacramento is unique in other
ways, too. It has two rivers–the Sacramento and the American–with the
confluence in the old, historic section of town. And under those old buildings
is another settlement, the first Sacramento, going back to Gold Rush days.
Those rivers create unique configurations of land: “pockets” surrounded on
three sides by river.
I thought about the diverse
population, culture, and activity. Two hours west will take a driver to San
Francisco or Big Sur or the Napa Valley. Two hours east, across the Sierra
Nevada, will take him to Lake Tahoe or Reno or Squaw Valley. South will take
him to Yosemite in about the same time.
The point is: I had to look at
the area I know with new eyes–look at its history, the things that made it
different.
What about you? As a reader, do
you enjoy books that pull you into the setting? And if you’re a writer, do you
look for the uniqueness of your setting and try to integrate it into your
story?
Love,
Murder and a Good Bottle of Wine
Sarah Wagner’s aunt has been
murdered, and the close-minded detective working the case has honed in on Sarah
and her cousin as the killers. Neither have alibis, and both have motive. But
how do you prove you didn’t commit a murder? As Sarah digs deeper into the
mystery, she puts herself at risk. Worse, every move she makes seems to
increase the odds that one of the people she loves is the killer.
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